{"id":134,"date":"2012-10-06T21:37:35","date_gmt":"2012-10-06T21:37:35","guid":{"rendered":"http:\/\/www.smadarsheffi.com\/?page_id=134"},"modified":"2018-06-17T07:05:20","modified_gmt":"2018-06-17T05:05:20","slug":"english-2","status":"publish","type":"page","link":"https:\/\/www.smadarsheffi.com\/?page_id=134","title":{"rendered":"English"},"content":{"rendered":"

Smadar Sheffi, PhD, is a curator,\u00a0 art critic and\u00a0 art consultant . She leads boutiqe art tours in Israel.<\/span><\/p>\n

Contact <\/span><\/p>\n

mail :\u00a0<\/span>\u00a0 thewindowartsite@gmail.com<\/p>\n

Face Book: facebook.com\/<\/a>smadar.sheffi<\/p>\n

About :<\/p>\n

\u00a0Smadar Sheffi, PhD<\/strong><\/p>\n

+ 972(0)50- 743-1106<\/p>\n

ssheffi@gmail.com<\/a><\/p>\n

\n

Education:<\/strong><\/p>\n

1983 \u2013 1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tel Aviv University\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art History\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0BA<\/p>\n

1988 \u2013 1989\u00a0 \u00a0 \u00a0\u00a0\u00a0Tel Aviv University\u00a0 Art History\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0MA<\/p>\n

1989 \u2013 1990\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Ludwig Maximilian University, Munich, Germany<\/p>\n

1996\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0Art History\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0MA \u00a0(Cum Laude)<\/p>\n

2004 \u2013 2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hebrew University, Jerusalem\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0Ph.D<\/p>\n

Doctoral dissertation: From Vienna to Jerusalem: Grete Wolf Krakauer’s Forgotten Portraits. <\/em>Advisor: Prof. G. Ankori<\/p>\n

\n

Art criticism:<\/strong><\/p>\n

1992 -2013\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 Art Critic, Haaretz <\/em>daily newspaper.<\/p>\n

2006 \u00ad\u00ad– present\u00a0\u00a0 \u00a0Art Critic, Galei Zahal<\/em>, Israel national radio station<\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 Art Critic, Artery<\/em>, NYC: A web-based publication for contemporary art and culture<\/p>\n

2012 \u2013 \u00a0present\u00a0 \u00a0\u00a0The Window, <\/em>an independent blog post focused on current art and cultural exhibitions<\/p>\n

2017 — present \u00a0\u00a0\u00a0\u00a0Art critic on Kan <\/em>Israel Television<\/p>\n

\u00a0<\/strong><\/p>\n

Recent curatorial activities:<\/strong><\/p>\n

2013\u00a0\u00a0\u00a0 Mani House, Tel Aviv, “New Directions II,”\u00a0 “Salon North”<\/p>\n

2013\u00a0\u00a0\u00a0 Co-Curator, “Complicated Family,” Inbal Dance Theatre, Susan Dellal Center, Tel Aviv<\/p>\n

2013\u00a0\u00a0\u00a0 Beverly Barkat, “Screening Layers” (Catalog), Zaritsky Artists\u2019 House, Tel Aviv<\/p>\n

2013\u00a0\u00a0\u00a0 Art Intervention Project I, “To eternity\u2019s end, beyond the sea?” Beit Bialik Museum, Tel Aviv<\/p>\n

2014\u00a0\u00a0\u00a0 Art Intervention Project II, “Revealment and Concealment,” Beit Bialik Museum, Tel Aviv<\/p>\n

2014\u00a0\u00a0\u00a0 Simon Adjiashvili, “One City, One Summer,” Rothschild Gallery, Tel Aviv<\/p>\n

2014\u00a0\u00a0\u00a0\u00a0\u00a0 Philanthropic Art Project Endocrinology and Metabolism Clinic, Galilee Medical Center<\/p>\n

2015\u00a0\u00a0\u00a0 \u00a0\u00a0Philanthropic Art Project, Cardiac Surgery Department, Sheba Medical Center<\/p>\n

2015\u00a0\u00a0\u00a0 Lisa Gross, \u201cTurmoil,\u201d Zaritsky Artists\u2019 House, Tel Aviv<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0 \u00a0Eliahou Eric Bokobza, \u201cUnited Colors of Judaica,\u201d Beit Hatfutsot-Museum of the Jewish People,\u00a0\u00a0\u00a0\u00a0 \u00a0Ramat Aviv (Catalog)<\/p>\n

2015\u00a0\u00a0\u00a0 \u201c100 meters above sea level,\u201d Rova Lev Ha\u2019ir Project, Tel Aviv<\/p>\n

2015\u00a0\u00a0\u00a0 Exhibition of Israeli Art, The Oncology Department, Galilee Medical Center, Nahariya.<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0 \u00a0Art Intervention Project III, \u201cBehind the Fence,\u201d Beit Bialik Museum, Tel Aviv<\/p>\n

2016\u00a0\u00a0\u00a0 \u201cGenius Loci,\u201d Rothschild Fine Art Gallery, Tel Aviv<\/p>\n

2016\u00a0\u00a0\u00a0\u00a0 \u201cIntricate Affinities: Recollections of Western Tradition in Local Contemporary Art,\u201d Petach Tikva<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Museum of Art<\/p>\n

2016\u00a0\u00a0\u00a0\u00a0 Art Intervention Project IV, \u201cProperty and Fetish,\u201d Beit Bialik Museum, Tel Aviv.<\/p>\n

2017\u00a0\u00a0\u00a0 Gallery Talk with the exhibiting artists, New Gallery at Teddy Stadium, \u201cThoughts on making reality present,\u201d with Sara Benninga, Noam Bar, Yonatan Ron, and Eyal Sasson.<\/p>\n

2017\u00a0\u00a0\u00a0 Avner Sher, Jerusalem, 950m2<\/sup><\/em>, Jerusalem Biennale of Jewish Art.<\/p>\n

2017\u00a0\u00a0\u00a0\u00a0 Jerusalem Artists House, \u201cPartial Portraits: Fragmented Identities.<\/em>\u201d<\/p>\n

2017\u00a0\u00a0\u00a0\u00a0 Art Intervention Project V, \u201cLabor and Craft: Eliahou\u00a0Eric\u00a0Bokobza – Homage\u00a0to\u00a0Hayim Nahman Bialik,\u201d Beit Bialik Museum, Tel Aviv.<\/p>\n

2018\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cYehuda Armoni: A Lingering Gaze,\u201d Rothschild Gallery, Tel Aviv<\/p>\n

2018\u00a0\u00a0\u00a0 \u201cFrom Vienna to Jerusalem: Grete Wolf Krakauer,\u201d Museum of Israeli Art Ein Harod.<\/p>\n

\u00a0<\/strong><\/p>\n

Recent teaching experience:<\/strong><\/p>\n

\n

2012- present \u00a0\u00a0The Diploma Program in Curatorial and Museum Studies, The David and Yolanda Katz Faculty of the Arts, Tel Aviv University<\/p>\n

2012-2014 \u00a0\u00a0\u00a0\u00a0\u00a0History of Art Department, Hebrew University of Jerusalem<\/p>\n

2014-2017\u00a0 \u00a0\u00a0\u00a0\u00a0<\/strong>The Israeli Art Educational and Research Institute, The Academic College of Tel Aviv-Yaffo<\/p>\n

2015 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0The Art Education Training Center, Israel Museum. Enrichment program for curators and academic staff<\/p>\n

\u00a0<\/strong><\/p>\n

Recent publications (other than art criticism):<\/strong><\/p>\n

2013\u00a0\u00a0\u00a0 Moon Performance,” in Shirat Hamada (the poetry of science): An Annual on Literature, Art, and Science in Memory of Prof. Ofer Lider,<\/em> (Rehovot: Weizmann Institute of Science, 2013), 72-75.<\/p>\n

2013\u00a0\u00a0\u00a0 “Between the Muses and Gravity,” in Shirat Hamada, (the poetry of science): An Annual on Literature, Art, and Science in Memory of Prof. Ofer Lider,<\/em> (Rehovot: Weizmann Institute of Science, 2013), 64.<\/p>\n

2014\u00a0\u00a0\u00a0\u00a0 \u201cThe stuff of which Life is made\u2019: On \u2018The Clock\u2019 by Christian Marclay,\u201d in Shirat Hamada (the poetry of science): An Annual on Literature, Art, and Science in Memory of Prof. Ofer Lider, <\/em>(Rehovot: Weizmann Institute of Science, 2014), 66-69.<\/p>\n

2014\u00a0\u00a0\u00a0\u00a0 Exhibition text for \u201cForamen Magnum,\u201d Jonathan Hirschfeld\u2019s one-person exhibition at the RawArt Gallery, Tel Aviv,<\/p>\n

2015\u00a0\u00a0\u00a0 \u201cRevealment and Concealment,\u201d text and back cover, in Shirat Hamada (the poetry of science): An Annual on Literature, Art, and Science in Memory of Prof. Ofer Lider,<\/em> (Rehovot: Weizmann Institute of Science, 2015).<\/p>\n

2016\u00a0\u00a0\u00a0\u00a0 \u201cIntricate Affinities: Recollections of Western Tradition in Local Contemporary Art,\u201d Catalog essay for the exhibition \u201cIntricate Affinities: Recollections of Western Tradition in Local Contemporary Art, Petach Tikva Museum of Art.<\/p>\n

2017\u00a0\u00a0\u00a0 \u201cThoughts on Dana Zaltzman\u2019s paintings of scales,\u201d Catalog essay for solo exhibition, Zemack Gallery, Tel Aviv.<\/p>\n

2017\u00a0\u00a0\u00a0 Yossl Bergner and Nadav Naor, Gordon Gallery, Tel Aviv. Catalog essay.<\/p>\n

\n

Recent presentations at academic conferences:<\/strong><\/p>\n

2013 \u00a0\u00a0\u00a0\u00a0Motar Conference, Faculty of the Arts, Tel Aviv University, Ramat Aviv, Israel. \u00a0“Grete Wolf-Krakauer’s self-portraits: Observing and preserving the ‘self,'”<\/p>\n

2013 \u00a0\u00a0\u00a0\u00a0AIS 29th<\/sup> Annual Conference, UCLA, CA, USA: “Double Eraser: Grete Wolf-Krakauer: The Construction of Historical Narrative and the Relationship of Israeli and European Art History.”<\/p>\n

2013 \u00a0\u00a0\u00a0“Israel at 65 years: Dimensions of national identity in a divided society,” Azrieli Institute of Israel Studies, Faculty of Arts and Science, Concordia University, Montreal, Quebec, Canada. “Milk, blood and honey: Contemporary art from Israel.”<\/p>\n

2013 \u00a0\u00a0 Film Culture Forum: MA Program for Culture and Film Studies, Faculty of the Humanities, University of Haifa, “On \u2018truth\u2019 in photography: A close examination of Blowup<\/em> (1966, dir. Antonioni) and the works of contemporary Israeli photographers”<\/p>\n

2014 \u00a0\u00a0\u00a0\u00a0AIS 30th<\/sup> Annual Conference, Ben-Gurion University,” Raffi Lavie: Secular Guru.\u201d<\/p>\n

2014 \u00a0\u00a0\u00a0\u00a0EAIS 3rd Annual Conference on Israel Studies, SOAS University of London. “Breaking Taboos, Shaking up Conventions: Changes in Representations of the Holocaust and Holocaust Memory in Contemporary Israeli Art since 2000.\u201d<\/p>\n

2014 \u00a0\u00a0\u00a0\u00a0International Conference on Women\u2019s Testimony: Genocide, War, Revolution, the Holocaust and Human Rights, University of Maine at Augusta (UMA), USA. \u201cMichal Rovner and Raida Adon: Israeli artists addressing memories of pain.\u201d<\/p>\n

2015\u00a0\u00a0\u00a0 Symposium, \u201cBerlin-Jerusalem: Art of the German immigrants.\u201d The Israeli Art Educational and Research Institute, The Academic College of Tel Aviv-Yafo. Lecture presentation: \u201cGrete Wolf-Krakauer: Immigration and Doubt.\u201d<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0 Conference, \u201cReinventing Israel: Transformations of Israeli Society in the 21st Century,\u201d American University, Washington, DC. Lecture presentation, \u201cA quest for new memory: Contemporary Israeli artists representing the Holocaust and its commemoration.\u201d<\/p>\n

2015\u00a0\u00a0\u00a0 Lecture for MA students, Shenkar College of Engineering, Design and Art, \u201cThe Venice Biennale.\u201d<\/p>\n

2016\u00a0\u00a0\u00a0\u00a0 MOTAR 25th<\/sup> Conference, In Memoriam: Prof. Nurit Kenaan Kedar, Lecture: \u201cThe silent storytellers: The art of Eliahou Eric Bokobza,\u201d Tel Aviv University Faculty of the Arts.<\/p>\n

2016\u00a0\u00a0\u00a0 \u00a0AIS Conference, Jerusalem. \u201cA Western or Eastern Nation? The Case of Israel,\u201d Yad Izhak Ben-Zvi and the Begin Heritage Center, Jerusalem. Lecture presentation, \u201cRepresentation of self: The image of Jews from Arabic-speaking countries in the visual arts: Eliahou Eric Bokobza\u2019s and Haim Ben-Shitrit\u2019s oeuvre as a test case.\u201d<\/p>\n

2017\u00a0\u00a0\u00a0 Conference on Women and Gender in the Arts, sponsored by the TIAF-Tel Aviv Israel Art Foundation, Association for Women\u2019s Art and Gender Research in Israel, Tel Aviv University Yolanda and David Katz Faculty of the Arts. Lecture presentation: \u201cDouble Exclusion: Grete Wolf Krakauer, missing from Israeli and Austrian Art History.\u201d<\/p>\n

2018\u00a0\u00a0\u00a0 Conference on Contemporary Visions of the Future: Contemporary visions of utopian,\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0in Paris, France. Lecture\u00a0 \u00a0presentation, \u201cTime as object, object as time: On contemporary visual a\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0rt projects\u00a0 \u00a0addressing Time by Maya Attoun and by Guy Goldstein.\u201d<\/p>\n

\n

Membership in Professional Associations:<\/strong><\/p>\n

AICA \u2013 International Association of Art Critics<\/p>\n

ICOM \u2013 International Council of Museums<\/p>\n

Additional professional activities:<\/strong><\/p>\n

2017\u00a0\u00a0\u00a0 Prize Committee Juror, Mifal Hapais Michael Landau Prize for Art<\/p>\n

2018\u00a0\u00a0\u00a0 Member of the Board (volunteer basis), the Ramla Museum, Ramla, Israel<\/p>\n","protected":false},"excerpt":{"rendered":"

Smadar Sheffi, PhD, is a curator,\u00a0 art critic and\u00a0 art consultant . She leads boutiqe art tours in Israel. Contact mail :\u00a0\u00a0 thewindowartsite@gmail.com Face Book: facebook.com\/smadar.sheffi About : \u00a0Smadar Sheffi, PhD + 972(0)50- 743-1106 ssheffi@gmail.com Education: 1983 \u2013 1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tel Aviv University\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art History\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0BA 1988 \u2013 1989\u00a0 \u00a0 \u00a0\u00a0\u00a0Tel Aviv University\u00a0 Art History\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0MA […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"yoast_head":"\nEnglish - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.smadarsheffi.com\/?page_id=134\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"English - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\" \/>\n<meta property=\"og:description\" content=\"Smadar Sheffi, PhD, is a curator,\u00a0 art critic and\u00a0 art consultant . She leads boutiqe art tours in Israel. Contact mail :\u00a0\u00a0 thewindowartsite@gmail.com Face Book: facebook.com\/smadar.sheffi About : \u00a0Smadar Sheffi, PhD + 972(0)50- 743-1106 ssheffi@gmail.com Education: 1983 \u2013 1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tel Aviv University\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art History\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0BA 1988 \u2013 1989\u00a0 \u00a0 \u00a0\u00a0\u00a0Tel Aviv University\u00a0 Art History\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0MA […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.smadarsheffi.com\/?page_id=134\" \/>\n<meta property=\"og:site_name\" content=\"\u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\" \/>\n<meta property=\"article:modified_time\" content=\"2018-06-17T05:05:20+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.smadarsheffi.com\/?page_id=134\",\"url\":\"https:\/\/www.smadarsheffi.com\/?page_id=134\",\"name\":\"English - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\",\"isPartOf\":{\"@id\":\"https:\/\/www.smadarsheffi.com\/#website\"},\"datePublished\":\"2012-10-06T21:37:35+00:00\",\"dateModified\":\"2018-06-17T05:05:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.smadarsheffi.com\/?page_id=134#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.smadarsheffi.com\/?page_id=134\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.smadarsheffi.com\/?page_id=134#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.smadarsheffi.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"English\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.smadarsheffi.com\/#website\",\"url\":\"https:\/\/www.smadarsheffi.com\/\",\"name\":\"\u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\",\"description\":\"\u05d0\u05ea\u05e8 \u05d0\u05de\u05e0\u05d5\u05ea\",\"publisher\":{\"@id\":\"https:\/\/www.smadarsheffi.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.smadarsheffi.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.smadarsheffi.com\/#organization\",\"name\":\"\u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\",\"url\":\"https:\/\/www.smadarsheffi.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.smadarsheffi.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.smadarsheffi.com\/wp-content\/uploads\/2023\/08\/logo-site-2-1.png\",\"contentUrl\":\"https:\/\/www.smadarsheffi.com\/wp-content\/uploads\/2023\/08\/logo-site-2-1.png\",\"width\":2390,\"height\":652,\"caption\":\"\u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\"},\"image\":{\"@id\":\"https:\/\/www.smadarsheffi.com\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"English - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.smadarsheffi.com\/?page_id=134","og_locale":"en_US","og_type":"article","og_title":"English - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9","og_description":"Smadar Sheffi, PhD, is a curator,\u00a0 art critic and\u00a0 art consultant . 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