{"id":12100,"date":"2019-10-15T22:35:56","date_gmt":"2019-10-15T20:35:56","guid":{"rendered":"http:\/\/www.smadarsheffi.com\/?p=12100"},"modified":"2019-10-15T23:10:31","modified_gmt":"2019-10-15T21:10:31","slug":"%d7%a1%d7%95%d7%a4%d7%94-%d7%9c%d7%94%d7%aa%d7%a7%d7%99%d7%99%d7%9d-%d7%a8%d7%92%d7%99%d7%a9%d7%95%d7%99%d7%95%d7%aa-%d7%9e%d7%a9%d7%95%d7%aa%d7%a4%d7%95%d7%aa","status":"publish","type":"post","link":"https:\/\/www.smadarsheffi.com\/?p=12100","title":{"rendered":"\u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd – \u05e8\u05d2\u05d9\u05e9\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05d5\u05ea\u05e4\u05d5\u05ea|Human Nature: Shared Sensitivities"},"content":{"rendered":"

\u05d0\u05d5\u05e6\u05e8\u05ea \u05d3”\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9<\/p>\n

\u05de\u05e9\u05ea\u05ea\u05e4\u05d9\u05dd:\u00a0<\/strong>\u05de\u05d9\u05db\u05d4 \u05d0\u05d5\u05dc\u05de\u05df,\u00a0\u05d5\u05e8\u05d3\u05d9 \u05d1\u05d5\u05d1\u05e8\u05d5\u05d1,\u05d3\u05d5\u05d3 \u05d1\u05df \u05d4\u05e8\u05d0”\u05e9 ,\u05e4\u05e1\u05d9 \u05d2\u05d9\u05e8\u05e9, \u05d0\u05d1\u05e0\u05e8 \u05e9\u05e8<\/p>\n

\u05d7\u05de\u05e9\u05ea \u05d4\u05de\u05d9\u05e6\u05d1\u05d9\u05dd \u05d1\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 ‘\u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd – \u05e8\u05d2\u05d9\u05e9\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05d5\u05ea\u05e4\u05d5\u05ea<\/strong>‘ \u05d4\u05dd \u05d6\u05d9\u05e8\u05d5\u05ea \u00a0\u05d7\u05e6\u05d9\u05d1\u05d4 \u05d0\u05d7\u05e8 \u05d2\u05dc\u05e2\u05d9\u05df \u05e4\u05e0\u05d9\u05de\u05d9, \u05d7\u05d9\u05e4\u05d5\u05e9 \u05e0\u05e7\u05d5\u05d3\u05ea \u05d4\u05de\u05d2\u05d5\u05d6 \u05e9\u05dc \u05d4\u05de\u05e6\u05d9\u05d0\u05d5\u05ea. \u05db\u05d5\u05ea\u05e8\u05ea \u05d4\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05d4\u05e9\u05e0\u05d4, ‘\u05dc\u05e9\u05dd \u05e9\u05de\u05d9\u05dd’, \u05dc\u05e7\u05d5\u05d7\u05d4 \u05de\u05d4\u05de\u05e9\u05e0\u05d4: “\u05db\u05dc \u05de\u05d7\u05dc\u05d5\u05e7\u05ea \u05e9\u05d4\u05d9\u05d0 \u05dc\u05e9\u05dd \u05e9\u05de\u05d9\u05dd \u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd” (\u05d0\u05d1\u05d5\u05ea \u05d4, \u05d9\u05d6). \u05d4\u05e2\u05d1\u05d5\u05d3\u05d5\u05ea \u05e0\u05d5\u05d2\u05e2\u05d5\u05ea \u05d1\u05e9\u05e1\u05d5\u05e2, \u05d1\u05e0\u05ea\u05d5\u05df \u05d1\u05de\u05d7\u05dc\u05d5\u05e7\u05ea, \u05db\u05de\u05e6\u05d1 \u05e9\u05d4\u05d5\u05d0 \u05d0\u05d5\u05dc\u05d9 \u05d1\u05dc\u05ea\u05d9 \u05e4\u05ea\u05d9\u05e8, \u05d0\u05da \u05d4\u05d4\u05d9\u05de\u05e6\u05d0\u05d5\u05ea \u05d1\u05d5 \u05d9\u05db\u05d5\u05dc\u05d4 \u05dc\u05d4\u05d9\u05d5\u05ea \u05de\u05e2\u05e9\u05d9\u05e8\u05d4. \u05e7\u05d5\u05bc\u05e8\u05d9\u05dd \u05e9\u05dc \u05de\u05e9\u05de\u05e2\u05d5\u05ea \u05de\u05e7\u05e9\u05e8\u05d9\u05dd \u05d1\u05d9\u05df\u00a0\u05d4\u05e2\u05d1\u05d5\u05d3\u05d5\u05ea: \u05d1\u05db\u05d5\u05dc\u05df \u05d9\u05e9 \u05e2\u05d9\u05e1\u05d5\u05e7 \u05d1\u05d0\u05d6\u05d5\u05e8\u05d9\u05dd \u05dc\u05d9\u05de\u05d9\u05e0\u05dc\u05d9\u05d9\u05dd, \u05d1\u05d2\u05de\u05d9\u05e9\u05d5\u05ea \u05d5\u05d1\u05e7\u05d9\u05d1\u05e2\u05d5\u05df, \u05db\u05de\u05d5 \u05d2\u05dd \u05d1\u05ea\u05d4\u05d9\u05d9\u05d4 \u05e2\u05dc \u05d4\u05de\u05e7\u05d5\u05dd \u05e9\u05d1\u05d5 \u05d4\u05d3\u05e8\u05db\u05d9\u05dd \u05e0\u05e4\u05e8\u05d3\u05d5\u05ea \u05dc\u05db\u05d3\u05d9 \u05de\u05d7\u05dc\u05d5\u05e7\u05ea \u05d5\u05de\u05ea\u05e7\u05e8\u05d1\u05d5\u05ea \u05dc\u05db\u05d3\u05d9 \u05e4\u05d9\u05d5\u05e1.<\/p>\n

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Pesi Girsch, Window and the Shadow of Books (detail ) 2019
Courtesy of: The Jerusalem Biennale
Photo: Daniel Rachamim<\/figcaption><\/figure>\n

\u05e2\u05d1\u05d5\u05d3\u05ea\u05d5 \u05e9\u05dc \u05de\u05d9\u05db\u05d4 \u05d0\u05d5\u05dc\u05de\u05df<\/strong>, ‘\u05e9\u05d5\u05dc\u05d7\u05df \u05d7\u05d5\u05dc’, \u05de\u05de\u05e9\u05d9\u05db\u05d4 \u05d0\u05ea \u05e9\u05d5\u05dc\u05d7\u05e0\u05d5\u05ea \u05d4\u05d7\u05d5\u05dc \u05e9\u05d4\u05e2\u05e1\u05d9\u05e7\u05d5 \u05d0\u05d5\u05ea\u05d5 \u05de\u05e8\u05d0\u05e9\u05d9\u05ea \u05d3\u05e8\u05db\u05d5 \u05d4\u05d0\u05de\u05e0\u05d5\u05ea\u05d9\u05ea \u05d1\u05e9\u05e0\u05d5\u05ea \u05d4\u05e9\u05d1\u05e2\u05d9\u05dd. \u05d1\u05ea\u05d9\u05d1\u05ea \u05d1\u05e8\u05d6\u05dc \u05de\u05db\u05d5\u05e1\u05d4 \u05d6\u05db\u05d5\u05db\u05d9\u05ea \u05e1\u05d9\u05d3\u05e8 \u05d0\u05d5\u05dc\u05de\u05df \u05d7\u05d5\u05dc \u05e1\u05d1\u05d9\u05d1 \u05e4\u05ea\u05d7 \u05e9\u05e6\u05d5\u05e8\u05ea\u05d5 \u05db\u05e7\u05d5\u05d5\u05d9 \u05de\u05ea\u05d0\u05e8 \u05e9\u05dc \u05d1\u05d9\u05ea \u05e1\u05db\u05de\u05d8\u05d9: \u05d2\u05d2 \u05de\u05d7\u05d5\u05d3\u05d3 \u05d5\u05d3\u05e4\u05e0\u05d5\u05ea \u05d9\u05e9\u05e8\u05d5\u05ea. \u05d1\u05de\u05d9\u05d3\u05d4 \u05de\u05e1\u05d5\u05d9\u05de\u05ea \u05d4\u05d3\u05d9\u05de\u05d5\u05d9 \u05d0\u05d1\u05e1\u05d5\u05e8\u05d3\u05d9: \u05e9\u05d5\u05dc\u05d7\u05df \u05e9\u05de\u05db\u05d9\u05dc \u05d1\u05d9\u05ea \u05e9\u05ea\u05d5\u05db\u05e0\u05d5 \u05de\u05d0\u05d9\u05d9\u05dd \u05dc\u05d4\u05d9\u05e0\u05d2\u05e8 \u05de\u05ea\u05d5\u05db\u05d5, \u05d5\u05d0\u05e3 \u05e2\u05dc \u05e4\u05d9 \u05db\u05df, \u05d1\u05d0\u05d5\u05e4\u05df \u05db\u05de\u05e2\u05d8 \u05d4\u05e8\u05d5\u05d0\u05d9, \u05d4\u05d5\u05d0 \u05e0\u05d5\u05ea\u05e8 \u05d9\u05e6\u05d9\u05d1 \u05d5\u05e7\u05d5\u05d5\u05d9 \u05d4\u05de\u05ea\u05d0\u05e8 \u05e0\u05d5\u05ea\u05e8\u05d9\u05dd \u05e9\u05dc\u05de\u05d9\u05dd. \u05e2\u05dc \u05d4\u05e8\u05e6\u05e4\u05d4 \u05d4\u05ea\u05d0\u05d5\u05e8\u05d4 \u05de\u05ea\u05d5\u05d5\u05d4 \u05e6\u05dc \u05db\u05e4\u05d5\u05dc – \u05d1\u05d9\u05ea \u05de\u05d7\u05d5\u05dc\u05e7.\u05db\u05e4\u05d5\u05dc \u05d4\u05d4\u05e9\u05d5\u05dc\u05d7\u05df, \u05db\u05d3\u05d9\u05de\u05d5\u05d9, \u05de\u05db\u05d9\u05dc \u05d4\u05e7\u05e9\u05e8\u05d9 \u05e4\u05e2\u05d9\u05dc\u05d5\u05ea \u05d9\u05d5\u05de\u05d9\u05d5\u05de\u05d9\u05ea \u05e9\u05dc \u05d0\u05db\u05d9\u05dc\u05d4 \u05d5\u05e9\u05d9\u05d7\u05d4; \u05d1\u05d4\u05e7\u05e9\u05e8 \u05d4\u05d9\u05d4\u05d5\u05d3\u05d9 \u05d9\u05e9 \u05dc\u05d5 \u05de\u05e9\u05de\u05e2\u05d5\u05ea \u05de\u05d8\u05d0\u05e4\u05d9\u05d6\u05d9\u05ea \u05db\u05ea\u05d7\u05dc\u05d9\u05e3 \u05dc\u05de\u05d6\u05d1\u05d7; \u05d5\u05d1\u05d4\u05e7\u05e9\u05e8 \u05d4\u05e6\u05d1\u05d0\u05d9 \u05d4\u05d5\u05d0 \u05de\u05d6\u05db\u05d9\u05e8 \u05d0\u05ea \u05e9\u05d5\u05dc\u05d7\u05e0\u05d5\u05ea \u05d4\u05d7\u05d5\u05dc \u05d4\u05e6\u05d1\u05d0\u05d9\u05d9\u05dd\u00a0\u05e9\u05d1\u05d4\u05dd \u05e0\u05e7\u05d1\u05e2\u05d9\u05dd \u05de\u05d4\u05dc\u05db\u05d9\u05dd \u05d0\u05e1\u05d8\u05e8\u05d8\u05d2\u05d9\u05d9\u05dd \u05e7\u05e8\u05d9 \u05de\u05e1\u05e2\u05d5\u05ea \u05d4\u05e8\u05d2. \u05e4\u05e7\u05e2\u05ea \u05d4\u05de\u05e9\u05de\u05e2\u05d5\u05d9\u05d5\u05ea \u05d4\u05de\u05d5\u05e8\u05db\u05d1\u05ea \u05d4\u05d6\u05d0\u05ea \u05de\u05e2\u05d9\u05d1\u05d4 \u05e2\u05dc \u05d4\u05e7\u05e8\u05d9\u05d0\u05d4 \u05d4\u05d0\u05d5\u05e4\u05d8\u05d9\u05de\u05d9\u05ea, \u05d4\u05d7\u05d3 \u05de\u05de\u05d3\u05d9\u05ea, \u05e9\u05dc \u05d4\u05e9\u05d5\u05dc\u05d7\u05df \u05db\u05de\u05e7\u05d5\u05dd \u05e9\u05dc \u05d9\u05d9\u05e9\u05d5\u05d1 \u05de\u05d7\u05dc\u05d5\u05e7\u05d5\u05ea \u05d1\u05d3\u05e8\u05db\u05d9 \u05e9\u05dc\u05d5\u05dd.<\/p>\n

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Micha Ullman, Sand Table , 2019
Courtesy of the Jerusalem Biennale, Photo Daniel Rachamim<\/figcaption><\/figure>\n

\u05d2\u05d5\u05de\u05d9\u05d5\u05ea \u05de\u05e9\u05e8\u05d3\u00a0\u05d4\u05df \u05d7\u05d5\u05de\u05e8 \u05d4\u05d2\u05dc\u05dd \u05dc’\u05d4\u05e0\u05e4\u05d9\u05dc\u05d4’ \u2013 \u05d4\u05de\u05d9\u05e6\u05d1 \u05e9\u05dc \u05d5\u05e8\u05d3\u05d9 \u05d1\u05d5\u05d1\u05e8\u05d5\u05d1<\/strong>. \u05d4\u05d7\u05e4\u05e5 \u05d4\u05d8\u05e8\u05d9\u05d5\u05d5\u05d9\u05d0\u05dc\u05d9 \u05de\u05ea\u05e7\u05e9\u05e8 \u05dc\u05e4\u05e8\u05d5\u05e6\u05d3\u05d5\u05e8\u05d5\u05ea, \u05d0\u05d3\u05de\u05d9\u05e0\u05d9\u05e1\u05d8\u05e8\u05e6\u05d9\u05d4 \u05d5\u05d1\u05d9\u05d5\u05e8\u05d5\u05e7\u05e8\u05d8\u05d9\u05d4, \u05d5\u05d3\u05d1\u05e7\u05d4 \u05d1\u05d5 \u05de\u05d9\u05d3\u05d4 \u05e9\u05dc \u05e7\u05d8\u05e0\u05d5\u05e0\u05d9\u05d5\u05ea \u05d5\u05e6\u05d9\u05d9\u05e7\u05e0\u05d5\u05ea. \u05d1\u05d5\u05d1\u05e8\u05d5\u05d1 \u05de\u05ea\u05d1\u05d5\u05e0\u05e0\u05ea \u05d1\u05d0\u05dc\u05e1\u05d8\u05d9\u05d5\u05ea \u05e9\u05dc \u05d4\u05d2\u05d5\u05de\u05d9\u05d5\u05ea \u05db\u05d1\u05ea\u05db\u05d5\u05e0\u05d4 \u05d0\u05e0\u05d5\u05e9\u05d9\u05ea. \u05d4\u05d9\u05d0 \u05d1\u05d5\u05d7\u05e0\u05ea \u05d0\u05ea \u05d4\u05de\u05e7\u05d5\u05dd \u05d1\u05d5 \u05d4\u05d2\u05de\u05d9\u05e9\u05d5\u05ea \u05e4\u05d5\u05e7\u05e2\u05ea \u05d5\u05d4\u05d2\u05d5\u05de\u05d9 \u05d4\u05db\u05e0\u05d5\u05e2 \u05d4\u05d5\u05e4\u05da \u05dc\u05de\u05e6\u05dc\u05d9\u05e3. \u05d1\u05e1\u05e4\u05e8\u05d5 \u05e9\u05dc \u05d0\u05dc\u05d1\u05e8 \u05e7\u05d0\u05de\u05d9, ‘\u05d4\u05e0\u05e4\u05d9\u05dc\u05d4’ (1956) \u05e0\u05d5\u05db\u05d7 \u05d4\u05de\u05ea\u05d7 \u05d4\u05ea\u05de\u05d9\u05d3\u05d9 \u05d1\u05d9\u05df \u05d4\u05e8\u05e6\u05d5\u05df \u05dc\u05d7\u05d9\u05d5\u05ea \u05dc\u05d0\u05d5\u05e8 \u05d0\u05d9\u05d3\u05d0\u05dc\u05d9\u05d9\u05dd \u05de\u05d5\u05e1\u05e8\u05d9\u05d9\u05dd, \u05dc\u05d1\u05d9\u05df\u00a0\u05d4\u05e6\u05d5\u05e8\u05da \u05dc\u05d4\u05ea\u05e4\u05e9\u05e8. \u05e6\u05d1\u05e2 \u05d4\u05d2\u05d5\u05de\u05d9\u05d5\u05ea \u05d4\u05de\u05d6\u05db\u05d9\u05e8 \u05e2\u05d5\u05e8 \u05d0\u05e0\u05d5\u05e9\u05d9 \u05de\u05d7\u05d6\u05e7 \u05d0\u05ea \u05d4\u05d6\u05d9\u05e7\u05d4 \u05d4\u05d0\u05e1\u05d5\u05e1\u05d9\u05d0\u05d8\u05d9\u05d1\u05d9\u05ea, \u05d5\u05d4\u05d5\u05e4\u05da \u05d0\u05d5\u05ea\u05df \u05dc\u05de\u05e1\u05de\u05e0\u05d5\u05ea \u05e4\u05e9\u05e8\u05d4, \u05d0\u05d5\u05dc\u05d9 \u05ea\u05d1\u05d5\u05e1\u05d4 \u05de\u05d5\u05e1\u05e8\u05d9\u05ea, \u05ea\u05d7\u05ea \u05de\u05e2\u05d8\u05d4 \u05d4\u05d1\u05d9\u05d5\u05e8\u05d5\u05e7\u05e8\u05d8\u05d9\u05d4 \u05d5\u05d4\u05e1\u05d3\u05e8 \u05d4\u05d8\u05d5\u05d1.<\/p>\n

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Vardi Bobrow. , Fall. 2019
Courtesy of: The Jerusalem Biennale
Photo: Daniel Rachamim<\/figcaption><\/figure>\n

\u05d7\u05d9\u05db\u05d5\u05da \u05e9\u05dc \u05d6\u05de\u05df \u05d5\u05de\u05e8\u05d7\u05d1, \u05d0\u05d5\u05d1\u05d9\u05d9\u05e7\u05d8\u05d9\u05dd \u05d5\u05d6\u05d9\u05db\u05e8\u05d5\u05df \u05de\u05e7\u05d1\u05dc \u05e6\u05d5\u05e8\u05d4 \u05de\u05d5\u05d7\u05e9\u05d9\u05ea \u05d1\u05de\u05d9\u05e6\u05d1 \u05e9\u05dc \u05e4\u05e1\u05d9 \u05d2\u05d9\u05e8\u05e9<\/strong>, ‘\u05d7\u05dc\u05d5\u05df \u05d5\u05e6\u05dc \u05e1\u05e4\u05e8\u05d9\u05dd’. \u05d2\u05d9\u05e8\u05e9 \u05d9\u05e6\u05e8\u05d4 \u05de\u05d9\u05e6\u05d1 \u05ea\u05dc\u05ea \u05de\u05de\u05d3\u05d9, \u05d4\u05de\u05d5\u05e8\u05db\u05d1 \u05de\u05de\u05d0\u05d5\u05ea \u05db\u05e8\u05db\u05d9 \u05d4\u05d0\u05e0\u05e6\u05d9\u05e7\u05dc\u05d5\u05e4\u05d3\u05d9\u05d4 \u05d4\u05e2\u05d1\u05e8\u05d9\u05ea, \u05dc\u05e6\u05d3 \u05e6\u05d9\u05dc\u05d5\u05de\u05d9\u05dd. \u05d4\u05e6\u05d9\u05dc\u05d5\u05de\u05d9\u05dd , \u05db\u05d5\u05dc\u05dd \u05de\u05e6\u05d5\u05dc\u05de\u05d9\u05dd \u05d1\u05d0\u05d5\u05ea\u05d5 \u05d7\u05dc\u05dc, \u05d5\u05d1\u05d4\u05dd \u05e1\u05e4\u05e8\u05d9\u05dd \u05d5\u05e4\u05e8\u05d9\u05d8\u05d9 \u05e8\u05d9\u05d4\u05d5\u05d8 \u05de\u05e2\u05d5\u05e6\u05d1\u05d9\u05dd \u05db\u05de\u05d9\u05d6\u05e0\u05e1\u05e6\u05e0\u05d5\u05ea, \u05db\u05d1\u05d9\u05de\u05ea \u05ea\u05d9\u05d0\u05d8\u05e8\u05d5\u05df, \u05e8\u05d2\u05e2\u05d9\u05dd \u05e7\u05e4\u05d5\u05d0\u05d9\u05dd \u05e9\u05dc \u05d9\u05d5\u05e4\u05d9 \u05d5\u05db\u05d0\u05d1 \u05de\u05d5\u05e4\u05e7\u05e2\u05d9\u05dd \u05de\u05de\u05d4\u05dc\u05da \u05d4\u05d6\u05de\u05df. \u05d1\u05d0\u05e0\u05e6\u05d9\u05e7\u05dc\u05d5\u05e4\u05d3\u05d9\u05d4 \u05de\u05d4\u05d3\u05d4\u05d3 \u05db\u05d9\u05e9\u05dc\u05d5\u05e0\u05d4 \u05e9\u05dc \u05d0\u05d5\u05e4\u05d8\u05d9\u05de\u05d9\u05d5\u05ea \u05db\u05e4\u05d5\u05dc\u05d4: \u05d6\u05d5 \u05e9\u05dc \u05e2\u05d9\u05d3\u05df \u05d4\u05d4\u05d0\u05e8\u05d4, \u05e9\u05dc \u05d4\u05d0\u05de\u05d5\u05e0\u05d4 \u05e9\u05e0\u05d9\u05ea\u05df \u05dc\u05d4\u05e7\u05d9\u05e3 \u05d0\u05ea \u05d4\u05d9\u05d3\u05e2 \u05d5\u05e9\u05d9\u05e1\u05d5\u05d3\u05d5\u05ea\u05d9\u05d5 \u05d1\u05dc\u05ea\u05d9 \u05de\u05e9\u05ea\u05e0\u05d9\u05dd; \u05d5\u05d6\u05d5 \u05e9\u05dc \u05d9\u05de\u05d9 \u05e8\u05d0\u05e9\u05d9\u05ea \u05d4\u05de\u05d3\u05d9\u05e0\u05d4, \u05d1\u05d4\u05dd \u05d4\u05d5\u05e6\u05d0\u05d4 \u05d4\u05d0\u05e0\u05e6\u05d9\u05e7\u05dc\u05d5\u05e4\u05d3\u05d9\u05d4 \u05d4\u05e2\u05d1\u05e8\u05d9\u05ea \u05d4\u05e8\u05d0\u05e9\u05d5\u05e0\u05d4 \u05db\u05de\u05d9\u05de\u05d5\u05e9 \u05d4\u05e6\u05e8\u05d5\u05e3 \u05e9\u05dc \u05d0\u05d5\u05e6\u05e8 \u05d4\u05ea\u05e8\u05d1\u05d5\u05ea \u05d4\u05db\u05dc\u05dc\u05d9 \u05d5\u05d4\u05d9\u05d4\u05d5\u05d3\u05d9. \u05d4\u05db\u05e8\u05db\u05d9\u05dd \u05d4\u05de\u05d5\u05e9\u05dc\u05db\u05d9\u05dd \u05db\u05e2\u05ea \u05dc\u05dc\u05d0 \u05d7\u05e4\u05e5, \u05d4\u05d5\u05e4\u05db\u05d9\u05dd \u05d1\u05d9\u05d3\u05d9 \u05d2\u05d9\u05e8\u05e9 \u05dc\u05d7\u05d5\u05de\u05e8 \u05d4\u05de\u05e1\u05de\u05df \u05de\u05e4\u05d2\u05e9 \u05d1\u05d9\u05df \u05d6\u05d9\u05db\u05e8\u05d5\u05e0\u05d5\u05ea \u05d0\u05d9\u05e9\u05d9\u05dd, \u05db\u05de\u05d9\u05d4\u05d4 \u05dc\u05d6\u05de\u05df \u05e1\u05e4\u05e6\u05d9\u05e4\u05d9 \u05d5\u05e2\u05d1\u05e8 \u05e0\u05d5\u05e1\u05d8\u05dc\u05d2\u05d9, \u05de\u05d5\u05d3\u05e8\u05e0\u05d9\u05d6\u05dd \u05de\u05e8\u05d5\u05e1\u05e7. \u05e6\u05d9\u05dc\u05d5\u05de\u05d9 \u05d4\u05d0\u05e0\u05e6\u05d9\u05e7\u05dc\u05d5\u05e4\u05d3\u05d9\u05d4 \u05dc\u05d9\u05d3 \u05d4\u05db\u05e8\u05db\u05d9\u05dd \u05e2\u05e6\u05de\u05dd \u05d9\u05d5\u05e6\u05e8\u05d9\u05dd \u05de\u05e4\u05d2\u05e9 \u05e4\u05d9\u05d6\u05d9 \u05e2\u05dd \u05ea\u05e8\u05d1\u05d5\u05ea \u05db\u05ea\u05d1 \u05d5\u05e1\u05e4\u05e8, \u05e7\u05e9\u05d1 \u05d5\u05d3\u05de\u05de\u05d4 \u05e9\u05db\u05de\u05e2\u05d8 \u05e0\u05db\u05d7\u05d3\u05d5.<\/p>\n

\u05d3\u05d5\u05d3 \u05d1\u05df \u05d4\u05e8\u05d0”\u05e9<\/strong> \u05de\u05d2\u05d3\u05d9\u05e8 \u05d7\u05dc\u05dc, \u05de\u05de\u05e1\u05d2\u05e8 \u05d0\u05d5\u05ea\u05d5 \u05d1\u05de\u05ea\u05db\u05ea \u05d5\u05d9\u05d5\u05e6\u05e8 \u05d1\u05ea\u05d5\u05db\u05d5 \u05e9\u05d9\u05d7 \u05de\u05e8\u05d4\u05d9\u05d1 \u05d1\u05d9\u05df \u05d7\u05d5\u05de\u05e8 \u05d5\u05e6\u05d5\u05e8\u05d4. \u05d4\u05d5\u05d0 \u05de\u05ea\u05d3\u05d9\u05d9\u05df \u05e2\u05dd \u05d4\u05d0\u05de\u05e0\u05d5\u05ea \u05db\u05de\u05d4\u05d5\u05ea, \u05db\u05d5\u05d5\u05e7\u05d8\u05d5\u05e8 \u05d1\u05e2\u05dc \u05db\u05d9\u05d5\u05d5\u05df \u05e4\u05e0\u05d9\u05de\u05d9 \u05e9\u05e4\u05e2\u05d5\u05dc\u05ea \u05d4\u05d0\u05de\u05df \u05de\u05ea\u05e0\u05d4\u05dc\u05ea \u05de\u05d5\u05dc\u05d5 \u05d5\u05d0\u05d9\u05ea\u05d5, \u05db\u05e9\u05d2\u05dd \u05d0\u05e7\u05e8\u05d0\u05d9\u05d5\u05ea \u05de\u05de\u05dc\u05d0\u05ea \u05ea\u05e4\u05e7\u05d9\u05d3. \u05d1\u05df \u05d4\u05e8\u05d0”\u05e9 \u05de\u05e9\u05ea\u05de\u05e9 \u05d1\u05de\u05dc\u05d7 \u2013 \u05d7\u05d5\u05de\u05e8 \u05de\u05d7\u05d8\u05d0 \u05d5\u05de\u05e8\u05e4\u05d0, \u05de\u05e9\u05de\u05e8 \u05d5\u05d2\u05dd \u05de\u05de\u05d9\u05ea \u2013 \u05e2\u05e5 \u05d5\u05e9\u05e2\u05d5\u05d5\u05d4, \u05dc\u05e6\u05d3 \u05d7\u05d5\u05de\u05e8\u05d9\u05dd \u05de\u05dc\u05d0\u05db\u05d5\u05ea\u05d9\u05d9\u05dd \u05db\u05de\u05d5 \u05e1\u05d9\u05dc\u05d9\u05e7\u05d5\u05df \u05d5\u05e0\u05d9\u05d9\u05dc\u05d5\u05df, \u05d5\u05d9\u05d5\u05e6\u05e8 \u05d3\u05d9\u05d0\u05dc\u05d5\u05d2\u05d9\u05dd \u05d3\u05d9\u05d0\u05dc\u05e7\u05d8\u05d9\u05d9\u05dd \u05d1\u05d9\u05e0\u05d9\u05d4\u05dd, \u05db\u05e9\u05d0\u05d5\u05e4\u05e0\u05d9 \u05e2\u05d9\u05d1\u05d5\u05d3 \u05db\u05de\u05d5 \u05d7\u05d5\u05dd \u05d9\u05d5\u05e6\u05e8\u05d9\u05dd \u05d1\u05d4\u05dd \u05e9\u05d9\u05e0\u05d5\u05d9\u05d9\u05dd \u05d1\u05dc\u05ea\u05d9 \u05e6\u05e4\u05d5\u05d9\u05d9\u05dd. \u05d1\u05ea\u05d5\u05da \u05d4\u05de\u05e8\u05d7\u05d1 \u05e9\u05e1\u05d5\u05de\u05df, \u05de\u05d5\u05db\u05dc\u05ea \u05d5\u05d0\u05e4\u05d9\u05dc\u05d5 \u05e0\u05d7\u05d2\u05d2\u05ea \u05de\u05d9\u05d3\u05d4 \u05e9\u05dc \u05d0\u05d9-\u05d5\u05d3\u05d0\u05d5\u05ea, \u05de\u05d7\u05dc\u05d5\u05e7\u05ea \u05e9\u05e0\u05d9\u05ea\u05df \u05dc\u05e9\u05d4\u05d5\u05ea \u05d1\u05d4. \u05e9\u05dd \u05d4\u05e2\u05d1\u05d5\u05d3\u05d4 Negative Capability \u05d4\u05d5\u05d0 \u05de\u05d5\u05e0\u05d7 \u05e9\u05d8\u05d1\u05e2 \u05d4\u05de\u05e9\u05d5\u05e8\u05e8 \u05d4\u05e8\u05d5\u05de\u05e0\u05d8\u05d9 \u05d2’\u05d5\u05df \u05e7\u05d9\u05d8\u05e1, \u05dc\u05d9\u05db\u05d5\u05dc\u05ea \u05dc\u05d4\u05d9\u05d5\u05ea \u05d1\u05d0\u05d9-\u05d5\u05d3\u05d0\u05d5\u05ea \u05d5\u05e1\u05e4\u05e7, \u05d5\u05dc\u05d4\u05e2\u05d3\u05e4\u05ea \u05d4\u05d9\u05d5\u05e4\u05d9 \u05e2\u05dc \u05e4\u05e0\u05d9 \u05d4\u05d9\u05d3\u05d9\u05e2\u05d4.<\/p>\n

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David Benarroch,Negative Capability ,2019 Courtesy of the Jerusalem Biennale, Photo Daniel Rachamim<\/figcaption><\/figure>\n

\u05d0\u05d1\u05e0\u05d9\u05dd \u05d5\u05e2\u05dc\u05d9\u05d4\u05df \u05d8\u05e7\u05e1\u05d8 (\u05d8\u05db\u05e0\u05d9\u05e7\u05d4 \u05de\u05e2\u05d5\u05e8\u05d1\u05ea) \u05d9\u05d5\u05e6\u05e8\u05d5\u05ea \u05d3\u05d9\u05de\u05d5\u05d9\u00a0 \u05d1\u05d5 \u05de\u05d5\u05dc\u05d7\u05de\u05d5\u05ea \u05d9\u05d7\u05d3 \u05ea\u05e8\u05d1\u05d5\u05ea \u05d5\u05d0\u05dc\u05d9\u05de\u05d5\u05ea. \u05d1’\u05db\u05e8\u05d0\u05e9\u05e0\u05d9\u05dd’ \u05d0\u05d1\u05e0\u05e8 \u05e9\u05e8<\/strong> \u05de\u05ea\u05d9\u05d9\u05d7\u05e1 \u05dc\u05e8\u05d2\u05e2 \u05d4\u05d3\u05e8\u05de\u05d8\u05d9 \u05e9\u05dc \u05e0\u05d9\u05e4\u05d5\u05e5 \u05dc\u05d5\u05d7\u05d5\u05ea \u05d4\u05d1\u05e8\u05d9\u05ea \u05db\u05d0\u05e9\u05e8 \u05de\u05e9\u05d4 \u05d9\u05d5\u05e8\u05d3 \u05de\u05d4\u05d4\u05e8 \u05d5\u05de\u05d2\u05dc\u05d4 \u05e9\u05d4\u05e2\u05dd \u05e2\u05d5\u05d1\u05d3 \u05d0\u05ea \u05e2\u05d2\u05dc \u05d4\u05d6\u05d4\u05d1. \u05d3\u05d5\u05de\u05d4 \u05e9\u05d4\u05d4\u05db\u05e8\u05e2\u05d4 \u05d1\u05d9\u05df \u05d4\u05e8\u05d5\u05d7\u05e0\u05d9 \u05d5\u05d4\u05d7\u05d5\u05de\u05e8\u05d9 \u05e0\u05e2\u05e9\u05ea\u05d4 \u05d5\u05d4\u05e2\u05dd \u05e4\u05e0\u05d4 \u05dc\u05d2\u05e9\u05de\u05d9, \u05dc\u05e0\u05de\u05d5\u05da \u05d5\u05dc\u05de\u05d9\u05d3\u05d9. \u05e9\u05e8 \u05de\u05e9\u05db\u05e4\u05dc \u05e9\u05d5\u05d1 \u05d5\u05e9\u05d5\u05d1 \u05d0\u05ea \u05d4\u05e4\u05e1\u05d5\u05e7\u05d9\u05dd \u05d4\u05de\u05e1\u05e4\u05e8\u05d9\u05dd \u05db\u05d9\u05e6\u05d3 \u05d0\u05dc\u05d5\u05d4\u05d9\u05dd \u05de\u05d1\u05e9\u05e8 \u05dc\u05de\u05e9\u05d4 \u05e9\u05d4\u05e2\u05dd \u05dc\u05d0 \u05d7\u05d9\u05db\u05d4 \u05dc\u05d5, \u05d5\u05d7\u05d6\u05e8 \u05dc\u05e2\u05d1\u05d5\u05d3\u05ea \u05d4\u05d0\u05dc\u05d9\u05dc\u05d9\u05dd.\u00a0\u05d4\u05d0\u05d1\u05e0\u05d9\u05dd \u05de\u05e1\u05de\u05e0\u05d5\u05ea \u05d0\u05dc\u05d9\u05de\u05d5\u05ea, \u05d1\u05d9\u05de\u05d9\u05e0\u05d5 \u05d1\u05e2\u05d9\u05e7\u05e8 \u05e4\u05d5\u05dc\u05d9\u05d8\u05d9\u05ea, \u05de\u05d0\u05d6\u05db\u05e8\u05d5\u05ea \u05e1\u05e7\u05d9\u05dc\u05d4, \u05d5\u05d2\u05dd \u05d0\u05ea \u05d4\u05de\u05e0\u05d4\u05d2 \u05d4\u05d9\u05d4\u05d5\u05d3\u05d9 \u05e9\u05dc \u05d4\u05e0\u05d7\u05ea \u05d0\u05d1\u05df \u05e2\u05dc \u05e7\u05d1\u05e8.<\/p>\n

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Avner Sher Like the First, 2019
Courtesy of the Jerusalem Biennale, Photo Daniel Rachamim<\/figcaption><\/figure>\n

\u05d1\u05de\u05e7\u05d5\u05dd \u05d4\u05e0\u05d5\u05d2\u05d4 \u05e9\u05d1\u05d9\u05df \u05d6\u05d9\u05db\u05e8\u05d5\u05df \u05dc\u05d1\u05e0\u05d9\u05d9\u05d4 \u05de\u05d7\u05d5\u05d3\u05e9\u05ea \u05e9\u05dc \u05e2\u05d1\u05e8; \u05d1\u05d9\u05df \u05d4\u05d9\u05db\u05d5\u05dc\u05ea \u05dc\u05e8\u05d0\u05d5\u05ea \u05d1\u05d0\u05d9-\u05d4\u05e1\u05db\u05de\u05d4 \u05e8\u05d0\u05e9\u05d9\u05ea \u05d4\u05d3\u05d9\u05d5\u05df \u05d5\u05dc\u05d4\u05db\u05d9\u05e8 \u05d1\u05d9\u05d5\u05e4\u05d9\u05d5 \u05e9\u05dc \u05d4\u05de\u05e2\u05d5\u05e8\u05e4\u05dc – \u05e9\u05dd \u05e0\u05de\u05e6\u05d0\u05d5\u05ea \u05e8\u05d2\u05d9\u05e9\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05d5\u05ea\u05e4\u05d5\u05ea, \u05d5\u05d0\u05dc\u05d5 \u05e1\u05d5\u05e4\u05df \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd.<\/p>\n

\u05d1\u05de\u05e1\u05d2\u05e8\u05ea\u00a0 \u05d4\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05e9\u05dc\u00a0 \u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd\u00a0 2019\u00a0 . \u05de\u05d5\u05d6\u05d9\u05d0\u05d5\u05df \u05d5\u05d5\u05dc\u05e4\u05e1\u05d5\u05df \u05dc\u05d0\u05de\u05e0\u05d5\u05ea \u05d9\u05d4\u05d5\u05d3\u05d9\u05ea , \u05e7\u05d9\u05e0\u05d2 \u05d2\u05d5\u05e8\u05d2 58 , \u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd .
\n\u05e2\u05d3 28 \u05e0\u05d5\u05d1\u05de\u05d1\u05e8 2019 .<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u05d4\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05dc\u05d0\u05de\u05e0\u05d5\u05ea, \u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd\u00a0 <\/span><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u05e1\u05d9\u05d5\u05e8 \u05e2\u05d5\u05de\u05e7 \u05e2\u05dd \u05d3”\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9
\n\u05d9\u05d5\u05dd \u05e8\u05d1\u05d9\u05e2\u05d9, \u00a023 \u00a0\u00a0\u05d0\u05d5\u05e7\u05d8\u05d5\u05d1\u05e8 2019, \u00a010:00 \u2013 12:30
\n\u05dc\u05e4\u05e8\u05d8\u05d9\u05dd \u05d5\u05d4\u05e8\u05e9\u05de\u05d4 \u05e9\u05dc\u05d7\u05d5 Whatsapp \u00a0\u00a0\u05dc\u05e1\u05de\u05d3\u05e8 \u00a00507431106\u00a0 \u05d0\u05d5 \u05d0\u05d9\u05de\u05d9\u05d9\u05dc \u05dc<\/span><\/strong>\u00a0 thewindowartsite@gmail.com<\/a><\/h3>\n
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Pesi Girsch, Angel 2015<\/figcaption><\/figure>\n

The five installations in Human Nature: Shared Sensitivities <\/em>delve into themselves, searching for a core, a point at which reality converges. \u201cFor Heaven\u2019s sake,\u201d the theme of the 2019 Jerusalem Biennale, comes from the Mishna: \u201cEvery dispute that is for the sake of Heaven will in the end endure\u201d (Ethics of the Fathers 5:17). The works touch on the fracture found in every dispute, a situation that is, perhaps, unsolvable, but whose ideas may enrich. Webs of meaning connect the works: all relate to liminal areas, to flexibility and obsession, as well as meditation on the point where paths in a dispute separate and converge in reconciliation.<\/p>\n

 <\/p>\n

The work by Micha Ullman<\/strong>, Sand Table<\/em>, continues his sand tables from the early 1970s. In a glass-covered iron box, Ullman arranges sand around an opening shaped as an outline of a house with a pointed roof and straight walls. The image is somewhat absurd: the image of the house within the box-table whose contents, sand, threaten to spill out. Yet, in an almost heroic fashion the sand remains stable and its outline remains unblemished.\u00a0 The table contains the meaning of everyday activities like eating and conversation; in a Jewish context it holds metaphysical meaning as the substitute for an altar; finally, in the military context, it recalls the sand tables used to determine military operations. This complex skein of meaning darkens the optimistic, one-dimensional understanding of the table as a setting for the peaceful settlement of disputes.<\/p>\n

Rubber bands are the raw material in Fall, <\/em>the installation by Vardi Bobrow<\/strong>. The trivial object connects with paperwork and bureaucracy and exudes a degree of pettiness and parsimony. Bobrow sees the elasticity of the rubber bands as a personality trait. She explores the limits of flexibility and at what point the submissive rubber becomes a whip. In The Fall<\/em> (1956) by Albert Camus, constant tension exists between the yearning to live according to high ideals and the need to compromise. The color of the rubber bands, reminiscent of human skin, reinforces the connotations and transforms them into a sign of compromise, or maybe moral defeat, in homage to bureaucracy and order.<\/p>\n

Friction between time and space, and objects and memory, becomes tangible in the installation by Pesi Girsch<\/strong>, Window and the Shadow of Books<\/em>. Girsch created a three-dimensional installation consisting of volumes of the Encyclopedia Hebraica<\/em> and photographs. The photographs were all shot in the same space and show books and furniture designed as a mise-en-sc\u00e8ne, like frozen moments of beauty and pain seized from the passage of time. The encyclopedia echoes the failure of twofold optimism: the belief from the Age of Enlightenment that knowledge can be encompassed and that its foundations are unchanging; and the early days of the State of Israel, when the first Encyclopedia Hebraica<\/em> was published and signified the culmination of general and Jewish culture. \u00a0The now discarded volumes are transformed by Girsch into a material that signifies a meeting of personal memories, the longing for a specific time and a nostalgic past, and a crushed Modernism. The photographs of the encyclopedia alongside the volumes themselves create a physical encounter with written culture and books, an attentiveness and silence that have almost disappeared.<\/p>\n

David Benarroch<\/strong> defines a space, frames it in metal and creates a spectacular dialogue between material and form. He approaches art as an essence with an internally directed vector, with and against which the artistic act evolves, but where randomness also plays a role. Benarroch uses salt, a material that disinfectants, heal, preserves and even kills, wood, and wax, along with synthetic materials like silicone and nylon. He creates dialectical dialogues between the materials that processing methods, such as heat, change in unexpected ways.<\/p>\n

A degree of uncertainty is contained, even celebrated within the delineated space: a dispute in which one can spend time. Negative Capability<\/em>, the title of the work, was a term coined by the Romantic poet John Keats to describe the ability to remain uncertain and doubtful, and to value artistic beauty over understanding.<\/p>\n

Stones marked with text create an image that weld together culture and violence. In the mixed-media installation, Like the First,<\/em> Avner Sher<\/strong> refers to the dramatic moment when Moses smashes the Tablets of the Covenant after descending Mount Sinai and discovering that the Israelites are worshipping the Golden Calf. When forced to choose between the spiritual and the corporeal, the people turned to the corporeal, the base and the instantaneous. Sher repeatedly replicates the verses describing how God reports to Moses that the people have returned to idolatry. In contemporary imagery, stones symbolize violence, especially political violence, as well as execution by stoning and the Jewish custom of placing a stone on a grave to mark one\u2019s visit.<\/p>\n

In the melancholy space between memory and rebuilding of a past, and between the ability to first find a discussion in disagreement and to recognize the beauty of ambiguity \u2013 this is where we find shared sensitivities. These are what will endure<\/p>\n","protected":false},"excerpt":{"rendered":"

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\u05e8\u05d2\u05d9\u05e9\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05d5\u05ea\u05e4\u05d5\u05ea|Human Nature: Shared Sensitivities - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.smadarsheffi.com\/?p=12100\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd - \u05e8\u05d2\u05d9\u05e9\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05d5\u05ea\u05e4\u05d5\u05ea|Human Nature: Shared Sensitivities - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\" \/>\n<meta property=\"og:description\" content=\"\u05d0\u05d5\u05e6\u05e8\u05ea \u05d3”\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9 \u05de\u05e9\u05ea\u05ea\u05e4\u05d9\u05dd:\u00a0\u05de\u05d9\u05db\u05d4 \u05d0\u05d5\u05dc\u05de\u05df,\u00a0\u05d5\u05e8\u05d3\u05d9 \u05d1\u05d5\u05d1\u05e8\u05d5\u05d1,\u05d3\u05d5\u05d3 \u05d1\u05df \u05d4\u05e8\u05d0”\u05e9 ,\u05e4\u05e1\u05d9 \u05d2\u05d9\u05e8\u05e9, \u05d0\u05d1\u05e0\u05e8 \u05e9\u05e8 \u05d7\u05de\u05e9\u05ea \u05d4\u05de\u05d9\u05e6\u05d1\u05d9\u05dd \u05d1\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 ‘\u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd – \u05e8\u05d2\u05d9\u05e9\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05d5\u05ea\u05e4\u05d5\u05ea‘ \u05d4\u05dd \u05d6\u05d9\u05e8\u05d5\u05ea \u00a0\u05d7\u05e6\u05d9\u05d1\u05d4 \u05d0\u05d7\u05e8 \u05d2\u05dc\u05e2\u05d9\u05df \u05e4\u05e0\u05d9\u05de\u05d9, \u05d7\u05d9\u05e4\u05d5\u05e9 \u05e0\u05e7\u05d5\u05d3\u05ea \u05d4\u05de\u05d2\u05d5\u05d6 \u05e9\u05dc \u05d4\u05de\u05e6\u05d9\u05d0\u05d5\u05ea. \u05db\u05d5\u05ea\u05e8\u05ea \u05d4\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05d4\u05e9\u05e0\u05d4, ‘\u05dc\u05e9\u05dd \u05e9\u05de\u05d9\u05dd’, \u05dc\u05e7\u05d5\u05d7\u05d4 \u05de\u05d4\u05de\u05e9\u05e0\u05d4: “\u05db\u05dc \u05de\u05d7\u05dc\u05d5\u05e7\u05ea \u05e9\u05d4\u05d9\u05d0 \u05dc\u05e9\u05dd \u05e9\u05de\u05d9\u05dd \u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd” (\u05d0\u05d1\u05d5\u05ea \u05d4, \u05d9\u05d6). \u05d4\u05e2\u05d1\u05d5\u05d3\u05d5\u05ea \u05e0\u05d5\u05d2\u05e2\u05d5\u05ea \u05d1\u05e9\u05e1\u05d5\u05e2, \u05d1\u05e0\u05ea\u05d5\u05df \u05d1\u05de\u05d7\u05dc\u05d5\u05e7\u05ea, \u05db\u05de\u05e6\u05d1 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.smadarsheffi.com\/?p=12100\" \/>\n<meta property=\"og:site_name\" content=\"\u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-15T20:35:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-15T21:10:31+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.smadarsheffi.com\/wp-content\/uploads\/2019\/10\/Micha-Ullman-Courtesy-of-the-Jerusalem-Biennale-Photo-Daniel-Rachamim.jpg\" \/>\n<meta name=\"author\" content=\"Smadar Sheffi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Smadar Sheffi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.smadarsheffi.com\/?p=12100#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.smadarsheffi.com\/?p=12100\"},\"author\":{\"name\":\"Smadar Sheffi\",\"@id\":\"https:\/\/www.smadarsheffi.com\/#\/schema\/person\/f200fc9328e35bf7e58a8f27c9528da7\"},\"headline\":\"\u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd – \u05e8\u05d2\u05d9\u05e9\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05d5\u05ea\u05e4\u05d5\u05ea|Human Nature: Shared Sensitivities\",\"datePublished\":\"2019-10-15T20:35:56+00:00\",\"dateModified\":\"2019-10-15T21:10:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.smadarsheffi.com\/?p=12100\"},\"wordCount\":971,\"publisher\":{\"@id\":\"https:\/\/www.smadarsheffi.com\/#organization\"},\"keywords\":[\"#art\",\"#artoninternet\",\"#contemporary art\",\"#exhibition. #tlv\",\"#Israeliart\",\"#photography\"],\"articleSection\":[\"\u05e4\u05d9\u05e1\u05d5\u05dc \u05d5\u05de\u05d9\u05e6\u05d1\",\"\u05e6\u05d9\u05dc\u05d5\u05dd\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.smadarsheffi.com\/?p=12100\",\"url\":\"https:\/\/www.smadarsheffi.com\/?p=12100\",\"name\":\"\u05e1\u05d5\u05e4\u05d4 \u05dc\u05d4\u05ea\u05e7\u05d9\u05d9\u05dd - 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