{"id":15977,"date":"2022-11-01T22:54:05","date_gmt":"2022-11-01T20:54:05","guid":{"rendered":"http:\/\/www.smadarsheffi.com\/?p=15977"},"modified":"2023-10-18T09:24:27","modified_gmt":"2023-10-18T07:24:27","slug":"%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%94%d7%90%d7%95%d7%a1%d7%a3-%d7%90%d7%a4%d7%95%d7%a8%d7%94-%d7%9b%d7%9c-%d7%a9%d7%99%d7%98%d7%94-%d7%a8%d7%a7-%d7%a2%d7%a5-%d7%94%d7%97%d7%99%d7%99%d7%9d","status":"publish","type":"post","link":"https:\/\/www.smadarsheffi.com\/?p=15977","title":{"rendered":"\u05ea\u05e2\u05e8\u05d5\u05db\u05ea \u05d4\u05d0\u05d5\u05e1\u05e3 “\u05d0\u05e4\u05d5\u05e8\u05d4 \u05db\u05dc \u05e9\u05d9\u05d8\u05d4, \u05e8\u05e7 \u05e2\u05e5 \u05d4\u05d7\u05d9\u05d9\u05dd \u05d9\u05e8\u05d5\u05e7 \u05dc\u05e2\u05d3” \u05d5”\u05e9\u05e2\u05d5\u05df \u05e9\u05de\u05e9” \u05de\u05e2\u05d9\u05d9\u05df \u05d0\u05dc\u05d9\u05e7\u05d9\u05dd |Exhibition of TLV Museum\u2019s Collection \\ \u201cAll Theory is Gray, but the Tree of Life Springs Ever Green\u201d | Maayan Elyakim \\ \u201cSun, Dial\u201d"},"content":{"rendered":"

English follows Hebrew<\/span><\/strong><\/p>\n

\u05ea\u05e2\u05e8\u05d5\u05db\u05ea \u05d4\u05d0\u05d5\u05e1\u05e3 “\u05d0\u05e4\u05d5\u05e8\u05d4 \u05db\u05dc \u05e9\u05d9\u05d8\u05d4, \u05e8\u05e7 \u05e2\u05e5 \u05d4\u05d7\u05d9\u05d9\u05dd \u05d9\u05e8\u05d5\u05e7 \u05dc\u05e2\u05d3” \u05d5”\u05e9\u05e2\u05d5\u05df \u05e9\u05de\u05e9” \u05ea\u05e2\u05e8\u05d5\u05db\u05ea \u05d9\u05d7\u05d9\u05d3 \u05e9\u05dc \u05de\u05e2\u05d9\u05d9\u05df \u05d0\u05dc\u05d9\u05e7\u05d9\u05dd \u2014\u05d9\u05e4\u05d5\u05ea \u05de\u05d0\u05d3. \u05d9\u05e9 \u05dc\u05d4\u05df \u05e6\u05d3\u05d3\u05d9\u05dd \u05e8\u05d1\u05d9\u05dd \u05e0\u05d5\u05e1\u05e4\u05d9\u05dd, \u05d0\u05da \u05de\u05e2\u05dc \u05dc\u05db\u05dc \u05d4\u05df \u05d9\u05e4\u05d5\u05ea \u05d5\u05d1\u05d3\u05e8\u05db\u05df \u05d7\u05d5\u05e4\u05e9\u05d9\u05d5\u05ea, \u05dc\u05dc\u05d0 \u05de\u05d5\u05e1\u05e8\u05d5\u05ea \u05e9\u05dc \u05d3\u05d9\u05d5\u05df, \u05d6\u05e2\u05e7\u05d4 \u05de\u05d7\u05e7\u05e8 \u05d0\u05d5 \u05ea\u05d6\u05d4 \u05d0\u05d5\u05ea\u05d5 \u05d4\u05df \u05de\u05ea\u05d5\u05d5\u05ea \u05d0\u05d5, \u05db\u05de\u05d5 \u05e9\u05e7\u05d5\u05e8\u05d4 \u05dc\u05d0 \u05e4\u05e2\u05dd, \u05de\u05e8\u05e6\u05d5\u05ea. \u00a0\u05d1\u05e9\u05ea\u05d9 \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d5\u05ea \u05d4\u05d9\u05d5\u05e4\u05d9 \u05d0\u05d9\u05e0\u05d5 \u05e7\u05d9\u05e9\u05d5\u05d8 \u00a0\u05d0\u05dc\u05d0 \u05d9\u05d5\u05e6\u05e8 \u05d6\u05de\u05df \u05dc\u05d4\u05ea\u05d1\u05d5\u05e0\u05e0\u05d5\u05ea, \u05dc\u05e2\u05e6\u05d9\u05e8\u05d4, \u05dc\u05e9\u05e7\u05d8 \u05e9\u05de\u05d5\u05e4\u05e7\u05e2 \u05de\u05e8\u05e2\u05e9\u05d9 \u05e8\u05e7\u05e2. \u05db\u05e9\u05d4\u05df \u05de\u05d5\u05e6\u05d2\u05d5\u05ea \u05dc\u05e6\u05d3 \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 “\u05dc\u05e6\u05dc\u05dd \u05d5\u05dc\u05e9\u05db\u05d5\u05d7: \u05e8\u05df \u05d8\u05dc \u05d0\u05d7\u05e8\u05d9 \u05de\u05d9\u05db\u05d4 \u05d1\u05e8\u05be\u05e2\u05dd” \u05d5\u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 “\u05d0\u05d9\u05d5\u05e8\u05d9\u05dd: \u05d3\u05d5\u05d3 \u05e4\u05d5\u05dc\u05d5\u05e0\u05e1\u05e7\u05d9”, \u05e9\u05ea\u05d9 \u05ea\u05e2\u05e8\u05d5\u05db\u05d5\u05ea \u05de\u05e9\u05d5\u05d1\u05d7\u05d5\u05ea \u05e9\u05ea\u05db\u05e0\u05d9\u05dd \u05e0\u05e8\u05d8\u05d9\u05d1\u05d9\u05d9\u05dd \u05d4\u05d9\u05e1\u05d8\u05d5\u05e8\u05d9\u05d9\u05dd \u05e2\u05d5\u05de\u05d3\u05d9\u05dd \u05d1\u05dc\u05d9\u05d1\u05df \u05d4\u05d3\u05d1\u05e8 \u05d1\u05d5\u05dc\u05d8 \u05d1\u05de\u05d9\u05d5\u05d7\u05d3. \u05d0\u05ea \u201c\u05d0\u05e4\u05d5\u05e8\u05d4 \u05db\u05dc \u05e9\u05d9\u05d8\u05d4, \u05e8\u05e7 \u05e2\u05e5 \u05d4\u05d7\u05d9\u05d9\u05dd \u05d9\u05e8\u05d5\u05e7 \u05dc\u05e2\u05d3” \u05d5”\u05e9\u05e2\u05d5\u05df \u05e9\u05de\u05e9” \u00a0\u05d0\u05e6\u05e8 \u05d3\u05d5\u05e8\u05d5\u05df \u05e8\u05d1\u05d9\u05e0\u05d0 \u05d5\u05d4\u05df \u05d8\u05d5\u05d1\u05d5\u05ea, \u05dc\u05d0\u05d9\u05df \u05e2\u05e8\u05d5\u05da, \u05de\u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d5\u05ea \u05e9\u05d0\u05e6\u05e8 \u05d1\u05e2\u05ea \u05e9\u05e9\u05d9\u05de\u05e9 \u05d0\u05d5\u05e6\u05e8 \u05e8\u05d0\u05e9\u05d9 \u05e9\u05dc \u05d4\u05de\u05d5\u05d6\u05d9\u05d0\u05d5\u05df.<\/p>\n

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Maayan Elyakim: Sun, Dial (View of the installation)<\/figcaption><\/figure>\n

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Maayan Elyakim: Sun, Dial<\/figcaption><\/figure>\n

\u00a0\u05e2\u05d1\u05d5\u05d3\u05ea \u05d4\u05e7\u05d9\u05e8, \u05d1\u05dc\u05d1\u05df \u05d1\u05d5\u05d4\u05e7 \u05e2\u05dd \u05e7\u05d5\u05d9\u05dd \u05d0\u05d3\u05d5\u05de\u05d9\u05dd \u05de\u05e2\u05d8\u05d9\u05dd \u05e9\u05e0\u05e8\u05d0\u05d9\u05dd \u05db\u05d0\u05d9\u05dc\u05d5 \u05de\u05d1\u05e6\u05d1\u05e6\u05d9\u05dd \u05e0\u05d9\u05de\u05d9 \u05d3\u05dd \u05d4\u05d9\u05d0 \u05d7\u05d6\u05d9\u05ea \u00a0\u05d1\u05e0\u05d9\u05d9\u05df \u05d0\u05e7\u05dc\u05e7\u05d8\u05d9 \u05e9\u05e0\u05e8\u05d0\u05d4 \u05de\u05d5\u05db\u05e8 \u05dc\u05de\u05e8\u05d5\u05ea \u05e9\u05d0\u05d9\u05e0\u05d5 \u05d1\u05e0\u05d9\u05d9\u05df \u05e1\u05e4\u05e6\u05d9\u05e4\u05d9 . \u05d1\u05e1\u05d2\u05e0\u05d5\u05df \u05e9\u05d4\u05d9\u05d4 \u05e0\u05e4\u05d5\u05e5 \u05d1\u05ea\u05dc \u05d0\u05d1\u05d9\u05d1 \u05d1\u05e9\u05e0\u05d9 \u05d4\u05e2\u05e9\u05d5\u05e8\u05d9\u05dd \u05d4\u05e8\u05d0\u05e9\u05d5\u05e0\u05d9\u05dd \u05dc\u05e7\u05d9\u05d5\u05de\u05d4 \u05d4\u05e4\u05d2\u05d9\u05e9 \u05d0\u05d3\u05e8\u05d9\u05db\u05dc\u05d5\u05ea \u05d0\u05d9\u05e8\u05d5\u05e4\u05d0\u05d9\u05ea \u05e9\u05e0\u05e9\u05e2\u05e0\u05d4 \u05e2\u05dc \u05d0\u05d3\u05e8\u05d9\u05db\u05dc\u05d5\u05ea \u05e7\u05dc\u05d0\u05e1\u05d9\u05ea \u05e2\u05dd \u05d4\u05d3\u05d9 \u05d0\u05e8 \u2013 \u05e0\u05d5\u05d1\u05d5 \u05d5\u05d0\u05e8- \u05d3\u05e7\u05d5 \u05d5\u05d0\u05d3\u05e8\u05d9\u05db\u05dc\u05d5\u05ea \u05de\u05d7\u05dc\u05e7\u05d9\u05dd \u05e0\u05d5\u05e1\u05e4\u05d9\u05dd \u05d1\u05e2\u05d5\u05dc\u05dd, . \u00a0\u05e9\u05d9\u05dc\u05d5\u05d1 \u05de\u05e2\u05e8\u05da \u05e9\u05d9\u05dc\u05d5\u05d1 \u05ea\u05e8\u05d1\u05d5\u05ea\u05d9 \u05d3\u05d5\u05de\u05d4 \u05dc\u05d6\u05d4 \u05e9\u05de\u05d5\u05e4\u05d9\u05e2 \u05d1\u05d1\u05de\u05d5\u05ea. \u00a0\u05d1\u05e8\u05d0\u05e9 \u05d4\u05de\u05d1\u05e0\u05d4 \u05d0\u05dc\u05d9\u05e7\u05d9\u05dd \u05e0\u05d5\u05ea\u05df \u05dc\u05e6\u05d5\u05e4\u05d4 \u05de\u05e4\u05ea\u05d7 \u05dc\u05e7\u05e8\u05d9\u05d0\u05ea \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05d3\u05e8\u05da \u05e9\u05e2\u05d5\u05df \u05e9\u05d0\u05d5\u05ea\u05d9\u05d5\u05ea \u05e2\u05d1\u05e8\u05d9\u05d5\u05ea \u05de\u05d7\u05dc\u05d9\u05e4\u05d5\u05ea \u05d1\u05d5 \u05d0\u05ea \u05d4\u05e1\u05e4\u05e8\u05d5\u05ea \u05de \u05d0 \u05e2\u05d3 \u05d9”\u05d1 \u05d5\u05d1\u05ea\u05d5\u05db\u05d5\u00a0 \u05de\u05e2\u05d2\u05dc \u05e4\u05e0\u05d9\u05de\u05d9 \u05d1\u05d5 \u05db\u05ea\u05d5\u05d1 \u05e9\u05dd \u05d4\u05d0\u05de\u05df \u00a0\u05e9\u05e0\u05e7\u05e8\u05d0 \u05d4\u05e4\u05d5\u05da \u05de\u05db\u05d9\u05d5\u05d5\u05df \u05d4\u05e9\u05e2\u05d5\u05df . \u05de\u05e2\u05d2\u05dc\u05d9 \u05d4\u05d6\u05de\u05df \u05d5\u05d4\u05d6\u05d4\u05d5\u05ea \u05de\u05e1\u05d5\u05db\u05e1\u05db\u05d9\u05dd \u05d5\u05d0\u05dc\u05d9\u05e7\u05d9\u05dd, \u05db\u05de\u05d5 \u05d0\u05de\u05df \u05e8\u05e0\u05e1\u05e0\u05e1 \u05de\u05e0\u05db\u05d9\u05d7 \u05d0\u05ea \u05e2\u05e6\u05de\u05d5 , \u05d0\u05ea \u05d7\u05ea\u05d9\u05de\u05ea\u05d5 \u05d1\u05de\u05d5\u05e7\u05d3.<\/p>\n

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Maayan Elyakim: Sun, Dial<\/figcaption><\/figure>\n

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\"\"
Maayan Elyakim: Sun, Dial<\/figcaption><\/figure>\n

\u05d4\u05d3\u05d9\u05d5\u05df \u05d4\u05e4\u05e0\u05d9\u05de\u05d9 \u05d1\u05d9\u05df \u05d6\u05de\u05e0\u05d9\u05dd \u05d5\u05e1\u05d2\u05e0\u05d5\u05e0\u05d5\u05ea, \u05d4\u05d6\u05d9\u05e7\u05d4 \u05e9\u05dc \u05d4\u05d0\u05de\u05e0\u05d5\u05ea \u05dc”\u05d7\u05d3\u05e8 \u05e4\u05dc\u05d0\u05d5\u05ea” \u05e7\u05d5\u05dc\u05d5\u05e0\u05d9\u05d0\u05dc\u05d9\u05d9\u05dd \u00a0\u05e9\u05ea\u05de\u05d9\u05de\u05d5\u05ea, \u05d3\u05d5\u05e8\u05e1\u05e0\u05d5\u05ea \u05d5\u05ea\u05d7\u05d5\u05e9\u05ea \u05d0\u05d3\u05e0\u05d5\u05ea \u05d4\u05d5\u05e4\u05d9\u05e2\u05d5 \u05d1\u05d4\u05dd \u05d1\u05de\u05d9\u05d3\u05d5\u05ea \u05db\u05de\u05e2\u05d8 \u05e9\u05d5\u05d5\u05ea \u00a0\u05de\u05ea\u05e7\u05e9\u05e8 \u05dc\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05de\u05d0\u05d5\u05e1\u05e4\u05d9 \u05d4\u05de\u05d5\u05d6\u05d9\u05d0\u05d5\u05df “\u05d0\u05e4\u05d5\u05e8\u05d4 \u05db\u05dc \u05e9\u05d9\u05d8\u05d4, \u05e8\u05e7 \u05e2\u05e5 \u05d4\u05d7\u05d9\u05d9\u05dd \u05d9\u05e8\u05d5\u05e7 \u05dc\u05e2\u05d3” \u05e9\u05de\u05d5\u05e6\u05d2\u05ea<\/p>\n

\"\"
All Theory is Gray, but the Tree of Life Springs Ever Green<\/figcaption><\/figure>\n

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\u05d0\u05d5\u05e6\u05e8: \u05d3\u05d5\u05e8\u05d5\u05df \u05e8\u05d1\u05d9\u05e0\u05d0
\n\u05de\u05d5\u05d6\u05d9\u05d0\u05d5\u05df \u05ea\u05dc \u05d0\u05d1\u05d9\u05d1 \u05dc\u05d0\u05de\u05e0\u05d5\u05ea\u00a0<\/b>\u05e9\u05d3\u05f3 \u05e9\u05d0\u05d5\u05dc \u05d4\u05de\u05dc\u05da 27, \u05ea\u05dc \u05d0\u05d1\u05d9\u05d1\u00a0\u00a0<\/span><\/p>\n

\u05db\u05dc \u05d4\u05e6\u05d9\u05dc\u05d5\u05de\u05d9\u05dd: \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9<\/p>\n

\u05d4\u05d3\u05e8\u05db\u05d4 \u05d5\u05d4\u05db\u05e0\u05d4 \u05e2\u05dd \u05d3”\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9 <\/strong><\/span><\/h1>\n

\u05dc\u05de\u05d8\u05d9\u05d9\u05dc\u05d5\u05ea\/\u05d9\u05dd \u05e2\u05e6\u05de\u05d0\u05d9\u05d5\/\u05d9\u05dd\u00a0<\/strong>\u05dc\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05d1\u05d5\u05d5\u05e0\u05e6\u05d9\u05d4, 2022<\/strong><\/span><\/h1>\n

\u05d4\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05d4\u05d9\u05d0 \u05d0\u05d9\u05e8\u05d5\u05e2 \u05d4\u05d0\u05de\u05e0\u05d5\u05ea \u05d4\u05d1\u05d9\u05e0\u05dc\u05d0\u05d5\u05de\u05d9 \u05d4\u05d7\u05e9\u05d5\u05d1 \u05d1\u05d9\u05d5\u05ea\u05e8. \u05d4\u05e9\u05e0\u05d4 \u05de\u05e6\u05d9\u05d2\u05d5\u05ea 80 \u05de\u05d3\u05d9\u05e0\u05d5\u05ea \u05d1\u05d1\u05d9\u05ea\u05e0\u05d9\u05dd \u05dc\u05d0\u05d5\u05de\u05d9\u05d9\u05dd \u05d5\u05d1\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05d4\u05d1\u05d9\u05e0\u05dc\u05d0\u05d5\u05de\u05d9\u05ea \u05de\u05e6\u05d9\u05d2\u05d9\u05dd 213 \u00a0\u05d0\u05de\u05e0\u05d9\u05d5\u05ea \u05d5\u05d0\u05de\u05e0\u05d9\u05dd.\u05dc\u05e6\u05d3 \u05d4\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05de\u05d5\u05e6\u05d2\u05d5\u05ea \u00a0\u05e2\u05d5\u05d3 \u05e2\u05e9\u05e8\u05d5\u05ea \u00a0\u05ea\u05e2\u05e8\u05d5\u05db\u05d5\u05ea \u05d7\u05e9\u05d5\u05d1\u05d5\u05ea .<\/span>
\n\u05d1\u05de\u05e4\u05d2\u05e9 \u05ea\u05e7\u05d1\u05dc\u05d5 \u00a0\u05e8\u05e7\u05e2 \u05d5\u05d4\u05db\u05e0\u05d4 \u05db\u05d9\u05d3\u05d9 \u05e9\u05ea\u05e0\u05e6\u05dc\u05d5 \u05d1\u05d0\u05d5\u05e4\u05df \u05de\u05e8\u05d1\u05d9<\/strong> \u05d0\u05ea \u05d4\u05d6\u05de\u05df \u05e9\u05d4\u05d7\u05dc\u05d8\u05ea\u05dd \u05dc\u05d4\u05e7\u05d3\u05d9\u05e9\u00a0 \u05dc\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u00a0– \u05d5\u05ea\u05ea\u05de\u05e7\u05d3\u05d5 \u05d1\u05d7\u05dc\u05e7\u05d9\u05dd \u05d4\u05de\u05e2\u05e0\u05d9\u05d9\u05e0\u05d9\u05dd \u05d1\u05d9\u05d5\u05ea\u05e8 \u05e2\u05d1\u05d5\u05e8\u05db\u05df\/\u05dd<\/strong>.\u00a0\u00a0<\/span>
\n\u05d4\u05d4\u05d3\u05e8\u05db\u05d4 \u05e2\u05dd \u05de\u05e6\u05d2\u05ea \u05d5\u05de\u05e4\u05d5\u05ea\u00a0.\u05d4\u05d1\u05d9\u05d0\u05e0\u05dc\u05d4 \u05e0\u05e0\u05e2\u05dc\u05ea \u05d1 \u05e0\u05d5\u05d1\u05de\u05d1\u05e8 2022 <\/strong><\/span><\/h2>\n

\u05dc\u05e4\u05e8\u05d8\u05d9\u05dd \u05d5\u05ea\u05d0\u05d5\u05dd \u05d0\u05e0\u05d0 \u05db\u05ea\u05d1\u05d5 \u05de\u05d9\u05d9\u05dc \u05dc thewindowartsite@gmail.com<\/a>
\n<\/span>\u05d0\u05d5 \u05e9\u05dc\u05d7\u05d5 \u05d4\u05d5\u05d3\u05e2\u05ea \u00a0\u00a0WhatsApp \u05dc 0507431106\u00a0<\/span><\/h2>\n
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Joel Shapiro , 1991<\/figcaption><\/figure>\n

 <\/p>\n

Exhibition of TLV Museum\u2019s Collection \\ \u201cAll Theory is Gray, but the Tree of Life Springs Ever Green\u201d <\/strong>| Maayan Elyakim \\ \u201cSun, Dial\u201d<\/strong><\/p>\n

Both the Tel Aviv Museum\u2019s exhibition, \u201cAll Theory is Gray, but the Tree of Life Springs Ever Green,\u201d and Maayan Elyakim\u2019s\u00a0 solo exhibition, \u201cSun, Dial,\u201d are enrapturing. They have additional aspects, but beauty reigns, liberating the exhibition from the strictures of discussion, protest, research, agenda, or as so frequently seen, a desire to please. In both beauty is not decoration but an element facilitating observation, a pause to contemplate, quiet extracted from background noise. When they are displayed alongside of two other good exhibitions, \u201cThe Last Photograph: Ran Tal after Micha Bar-Am\u201d and \u201cIllustrations: David Polonsky,\u201d with historical narratives at their core, it stands out more clearly. Doron Rabina curated both exhibitions, which are much than the ones he curated in his capacity as the Museum\u2019s Chief Curator.<\/p>\n

 <\/p>\n

Maayan Elyakim: Sun, Dial (View of the installation)<\/p>\n

Elyakim\u2019s exhibition can be seen as an installation whose extravagant division of space is its main characteristic: most is empty except for three focal points: a huge wall piece \u2013 a paper and cardboard relief, and two platforms on which objects are arranged in an orderly grid. Maayan takes his viewers on a time travel journey to the seamline between the 19th<\/sup> century and the early 20th<\/sup>. The cultural site is a West enchanted by an imagined \u201cOrient\u201d undergoing pangs of nationalism. Relating to this complex system, Elyakim creates refined, rich objects, celebrating connoisseurship predicting the anxiety of an Apocalypse.
\nThe wall piece, with its shiny white and few red lines seeming to glisten like capillaries, simulates the fa\u00e7ade of a seemingly-familiar eclectic building, without being specific. The style, which was common in 1920s Tel Aviv, was an encounter between European architecture leaning on Classicism with shades of Art Nouveau, Art Deco, and additional styles. This was a cultural eclecticism similar to the spirit of the objects on the two platforms. At the top of the fa\u00e7ade, Elyakim provides a key to its reading the exhibition. In the clock in which Hebrew letters replace numerals, and the inner dial is surrounded counterclockwise by the Hebrew letters of his name, reality and identity are in conflict, as Elyakim, like a Renaissance artist, makes himself present with his \u201csignature\u201d at the center.<\/p>\n

\"\"
Maayan Elyakim: Sun, Dial<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

Covert and overt ties of visibility and meaning exist between the objects. The spheres made of conglomerates of shells, on the platforms, are reminiscent of David Falconer\u2019s skeleton balls as well as Zadok Ben-David\u2019s insect balls. The spheres of shells, made of the ancient material testifying to the death of living creatures, are placed on Italian-made plates glazed in the same technique as the ones produced by some Futurist artists. The observation of Time, with the basic incompatibility between our feelings and our interpretation, and our refusal to succumb to its tyranny, reoccurs. A pile of oak cubes with knots like eyes which are signs of time and development are placed on oak nesting tables. Nesting tables, as interpreted by Josef Albers, became one of the pieces of furniture most identified with the Bauhaus, here encounter the cubes which resonate memory of nature. Like the shells, they have been violently transformed into a regular shape. The title page of the book \u201cWars of the Lord,\u201d a book whose origin is invented or perhaps real, was woven into a long fabric and hung on a ladder made of hurdles. A skull is placed on a steamer trunk, while embroidery reminiscent of Hilma af Klint\u2019s works are displayed in a frame like the tablets of the Ten Commandments.<\/p>\n

All Theory is Gray, but the Tree of Life Springs Ever Green<\/p>\n

The internal dialogue between times and styles, the association of the art to colonial \u201ccabinets of wonders\u201d equally embodying innocence, hegemony, and entitlement, is linked to the exhibition from the Museum\u2019s collection on view in the open hall, continuing to Elyakim\u2019s exhibition. The links between the grouped works are associative, formal, and sometimes whimsical, but there is an evident common thread. The internal logic is overly anarchistic. Andy Warhol and Joel Shapiro, Josef Albers and Joshua Neustein speak of Modernism, and there are works by lesser known artists next to the well-known. The Museum\u2019s storerooms have become an amusement park, an infinite playing field, an illusory landscape.<\/p>\n

Curator<\/strong>: Doron Rabina<\/p>\n

Tel Aviv Museum of Art<\/strong>, 27 Shaul Hamelech, Tel Aviv<\/p>\n

All photographs<\/strong> by the author.<\/p>\n","protected":false},"excerpt":{"rendered":"

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