{"id":18706,"date":"2024-01-12T00:05:16","date_gmt":"2024-01-11T22:05:16","guid":{"rendered":"https:\/\/www.smadarsheffi.com\/?p=18706"},"modified":"2024-01-14T11:32:34","modified_gmt":"2024-01-14T09:32:34","slug":"ben-hagari-i-pencil-%d7%91%d7%9f-%d7%94%d7%92%d7%a8%d7%99-%d7%90%d7%a0%d7%99-%d7%a2%d7%99%d7%a4%d7%a8%d7%95%d7%9f","status":"publish","type":"post","link":"https:\/\/www.smadarsheffi.com\/?p=18706","title":{"rendered":"Ben Hagari: I, Pencil | \u05d1\u05df \u05d4\u05d2\u05e8\u05d9: \u05d0\u05e0\u05d9, \u05e2\u05d9\u05e4\u05e8\u05d5\u05df"},"content":{"rendered":"\t\t
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For English click here<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“\u05d0\u05e0\u05d9, \u05e2\u05d9\u05e4\u05e8\u05d5\u05df” \u05e9\u05db\u05ea\u05d5\u05d1 \u05db\u05de\u05e9\u05dc \u05d9\u05dc\u05d3\u05d5\u05ea\u05d9 , \u05d4\u05e4\u05da \u05dc\u05d8\u05e7\u05e1\u05d8 \u05d3\u05d2\u05dc \u05e9\u05dc \u05d4\u05dc\u05d9\u05d1\u05e8\u05d8\u05d9\u05e0\u05d9\u05d5\u05ea (\u05d1\u05d4\u05db\u05dc\u05dc\u05d4 – \u05ea\u05de\u05d9\u05db\u05d4 \u05d1\u05e6\u05de\u05e6\u05d5\u05dd \u05e1\u05de\u05db\u05d5\u05d9\u05d5\u05ea \u05d4\u05de\u05d3\u05d9\u05e0\u05d4, \u05d0\u05de\u05d5\u05e0\u05d4 \u05d1\u05e9\u05d5\u05e7 \u05d7\u05d5\u05e4\u05e9\u05d9 \u05d5\u05d4\u05ea\u05e0\u05d2\u05d3\u05d5\u05ea \u05dc\u05de\u05d3\u05d9\u05e0\u05d9\u05d5\u05ea \u05e8\u05d5\u05d5\u05d7\u05d4). \u05d4\u05e1\u05d9\u05e4\u05d5\u05e8, \u05d4\u05ea\u05de\u05d9\u05dd \u05db\u05d1\u05d9\u05db\u05d5\u05dc, \u05de\u05e1\u05d5\u05e4\u05e8 \u05de\u05e0\u05e7\u05d5\u05d3\u05ea \u05e8\u05d0\u05d5\u05ea\u05d5 \u05e9\u05dc \u05e2\u05d9\u05e4\u05e8\u05d5\u05df \u05d4\u05de\u05e1\u05e4\u05e8 \u05e2\u05dc \u05ea\u05d4\u05dc\u05d9\u05da \u05d9\u05d9\u05e6\u05d5\u05e8\u05d5 \u05e8\u05d1 \u05d4\u05e9\u05dc\u05d1\u05d9\u05dd, \u05de\u05d4\u05e2\u05e5 \u05e9\u05e0\u05db\u05e8\u05ea, \u05d4\u05d4\u05d5\u05d1\u05dc\u05d4. \u05de\u05d4\u05d2\u05e8\u05e4\u05d9\u05d8 \u05d5\u05e2\u05d3 \u05d4\u05e6\u05d1\u05d9\u05e2\u05d4 \u05d5\u05d5\u05d4\u05d4\u05e9\u05d7\u05d6\u05d4. \u05d4\u05dc\u05e7\u05d7 \u05d4\u05d5\u05d0 \u05e9\u05d4\u05d9\u05d3\u05e2 \u05dc\u05d9\u05d9\u05e6\u05d5\u05e8 \u05d4\u05e2\u05d9\u05e4\u05e8\u05d5\u05df \u05dc\u05d0 \u05e0\u05de\u05e6\u05d0 \u05d0\u05e6\u05dc \u05d0\u05d9\u05e9. \u05d4\u05d9\u05d9\u05e6\u05d5\u05e8 \u05e0\u05e2\u05e9\u05d4 \u05e2\u05dc \u05d9\u05d3\u05d9 \u05e8\u05d1\u05d9\u05dd \u05d5\u05d0\u05ea \u05d4\u05ea\u05d9\u05d0\u05d5\u05dd \u00a0\u05de\u05d7\u05d5\u05dc\u05dc\u05ea \u05d9\u05d3\u05d5 \u05d4\u05e0\u05e2\u05dc\u05de\u05d4 Invisible Hand \u05e9\u05dc \u05d4\u05e9\u05d5\u05e7 \u05e9\u05e0\u05d5\u05d1\u05e2\u05ea \u05de\u05d4\u05e8\u05e6\u05d5\u05df \u05e9\u05dc \u05d0\u05e0\u05e9\u05d9\u05dd \u05d7\u05d5\u05e4\u05e9\u05d9\u05d9\u05dd \u05dc\u05e2\u05e9\u05d5\u05ea \u05e8\u05d5\u05d5\u05d7 \u05d5\u05dc\u05e6\u05d1\u05d5\u05e8 \u05e8\u05db\u05d5\u05e9. \u00a0\u05d1 1976, \u05db\u05ea\u05d1 \u05dc\u05e1\u05d9\u05e4\u05d5\u05e8 \u00a0\u05d0\u05d7\u05e8\u05d9\u05ea \u05d3\u05d1\u05e8 \u05de\u05d4\u05dc\u05dc\u05ea \u05dc\u05d0 \u05d0\u05d7\u05e8 \u05de\u05d0\u05e9\u05e8. \u05de\u05d9\u05dc\u05d8\u05d5\u05df \u05e4\u05e8\u05d9\u05d3\u05de\u05df, \u05d7\u05ea\u05df \u05e4\u05e8\u05e1 \u05e0\u05d5\u05d1\u05dc \u05dc\u05db\u05dc\u05db\u05dc\u05d4, \u05e9\u05d4\u05ea\u05d0\u05d5\u05e8\u05d9\u05d5\u05ea \u05e9\u05dc\u05d5 \u05ea\u05e8\u05de\u05d5 \u05dc\u05e4\u05e2\u05e8\u05d9\u05dd \u05d4\u05d1\u05dc\u05ea\u05d9 \u05e0\u05ea\u05e4\u05e1\u05d9\u05dd \u05d1\u05d4\u05dd \u05d0\u05e0\u05d5 \u05d7\u05d9\u05d9\u05dd \u05db\u05d9\u05d5\u05dd.<\/p>

\u05d4\u05ea\u05d9\u05d9\u05d7\u05e1\u05d5\u05ea \u05dc\u05d0\u05e7\u05e1\u05e4\u05e8\u05e1\u05d9\u05d5\u05e0\u05d9\u05d6\u05dd \u05d4\u05d2\u05e8\u05de\u05e0\u05d9, \u05d1\u05e2\u05d9\u05e7\u05e8 \u05d4\u05e7\u05d5\u05dc\u05e0\u05d5\u05e2\u05d9, \u05de\u05d0\u05e4\u05d9\u05d9\u05e0\u05ea \u05d0\u05ea \u05d4\u05d2\u05e8\u05d9 \u05db\u05d1\u05e8 \u05e9\u05e0\u05d9\u05dd. \u05e2\u05de\u05d3\u05ea\u05d9 \u05e2\u05dc \u05db\u05da \u05d1\u05d1\u05d9\u05e7\u05d5\u05e8\u05ea \u05e9\u05db\u05ea\u05d1\u05ea\u05d9 \u05e2\u05dc\u00a0 \u00a0\u05d0\u05d9\u05e0\u05d1\u05e8\u05d8 <\/a> \u00a0\u05e9\u05d4\u05e6\u05d9\u05d2 \u05d1\u05d2\u05dc\u05e8\u05d9\u05d4 \u05e8\u05d5\u05d6\u05e0\u05e4\u05dc\u05d3 \u05d1 2011. “\u05d0\u05e0\u05d9, \u05e2\u05d9\u05e4\u05e8\u05d5\u05df” \u05d4\u05d4\u05e9\u05e4\u05e2\u05d5\u05ea \u05db\u05d5\u05dc\u05dc\u05d5\u05ea \u05d0\u05ea \u00a0\u05de\u05e0\u05d9\u05e4\u05d4 \u05e8\u05d7\u05d1\u05d4 \u05de Metropolis (1927) \u05de\u05d8\u05e8\u05d5\u05e4\u05d5\u05dc\u05d9\u05e1 \u05e9\u05dc \u05e4\u05e8\u05d9\u05e5 \u05dc\u05d0\u05e0\u05d2. \u05d3\u05e8\u05da \u05e8\u05d9\u05e7\u05d5\u05d3 \u05d4\u05de\u05db\u05d5\u05e0\u05d4<\/a> \u05e9\u05dc \u05dc\u05d6’\u05d4 \u00a0Fernand L\u00e9ger Ballet m\u00e9canique 1924 \u05d5\u05e2\u05d3 \u05d6\u05de\u05e0\u05d9\u05dd \u05de\u05d5\u05d3\u05e8\u05e0\u05d9\u05d9\u05dd \u05e9\u05dc \u05e6\u05e4\u05dc\u05d9\u05df \u00a0Modern Times 1936. \u05e9\u05dc\u05d5\u05e9\u05ea \u05d4\u05d9\u05e6\u05d9\u05e8\u05d5\u05ea \u05d4\u05dc\u05dc\u05d5 \u05de\u05d9\u05d9\u05e6\u05d2\u05d5\u05ea \u05ea\u05e4\u05d9\u05e1\u05d5\u05ea \u05e2\u05d5\u05dc\u05dd \u05d4\u05e4\u05d5\u05db\u05d5\u05ea \u05dc\u05d0\u05dc\u05d5 \u05e9\u05dc “\u05d0\u05e0\u05d9, \u05e2\u05d9\u05e4\u05e8\u05d5\u05df” \u2013 \u05dc\u05d0\u05e0\u05d2 \u05e9\u05de\u05e2\u05dc\u05d4 \u05db\u05d0\u05d9\u05d3\u05d0\u05dc \u05d0\u05ea \u05d2\u05d0\u05d5\u05dc\u05ea \u05d4\u05e2\u05d5\u05d1\u05d3\u05d9\u05dd (\u05dc\u05de\u05e8\u05d5\u05ea \u05e9\u05d9\u05e9 \u05d4\u05e7\u05d5\u05e8\u05d0\u05d9\u05dd \u05dc\u05e1\u05e8\u05d8 \u05e2\u05de\u05d9\u05de\u05d5\u05ea \u05e8\u05e2\u05d9\u05d5\u05e0\u05d9\u05ea \u05d1\u05e2\u05d9\u05ea\u05d9\u05ea). \u05e8\u05d9\u05e7\u05d5\u05d3 \u05d4\u05de\u05db\u05d5\u05e0\u05d4 \u05e9\u05dc \u05dc\u05d6’\u05d4 \u05e9\u05d9\u05e9 \u05d1\u05d5 \u05d0\u05de\u05e4\u05d8\u05d9\u05d4 \u05dc\u05d3\u05de\u05d5\u05ea \u05d0\u05e9\u05d4 \u05d4\u05e0\u05d5\u05e9\u05d0\u05ea \u05e9\u05e7 \u05e2\u05dc \u05d2\u05d1\u05d4 \u05d1\u05e8\u05d7\u05d5\u05d1\u05d5\u05ea \u05e4\u05e8\u05d9\u05e1 \u05db\u05de\u05d9\u05df \u05e1\u05d9\u05d6\u05d9\u05e4\u05d5\u05e1 \u05e0\u05e9\u05d9. \u05d5\u05e6’\u05e4\u05dc\u05d9\u05df \u05e9\u05d0\u05dd \u05d9\u05e9 \u05d9\u05d3 \u05e0\u05e2\u05dc\u05de\u05d4 \u05de\u05d1\u05d7\u05d9\u05e0\u05ea\u05d5 \u05d4\u05d9\u05d0 \u05d4\u05d9\u05d3 \u05d4\u05de\u05ea\u05e2\u05dc\u05dc\u05ea \u05d1\u05d0\u05d3\u05dd \u05d4\u05e2\u05de\u05dc.\u00a0\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Metropolis 1927 directed by Fritz Lang and written by Thea von Harbou <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

\u05d4\u05d2\u05e8\u05d9 \u05de\u05e2\u05de\u05d9\u05d3 \u05d3\u05de\u05d5\u05ea \u05d0\u05e0\u05d5\u05e9\u05d9\u05ea, \u05d0\u05e4\u05d5\u05e8\u05d4 \u05d5\u05d9\u05d7\u05e4\u05d4 \u05d1\u05ea\u05d7\u05d9\u05dc\u05ea \u05d4\u05e1\u05e8\u05d8, \u05d3\u05de\u05d5\u05ea \u05d4\u05de\u05d6\u05db\u05d9\u05e8\u05d4 \u05d0\u05ea \u05d4\u05e2\u05d5\u05d1\u05d3\u05d9\u05dd \u05e9\u05dc \u05dc\u05d0\u05e0\u05d2 \u05d5\u05d0\u05ea \u05d4\u05e4\u05e0\u05d9\u05dd \u05d4\u05dc\u05d0 \u05e7\u05d5\u05de\u05d9\u05d5\u05ea \u05de\u05d0\u05d7\u05d5\u05e8\u05d9 \u05d4\u05d3\u05de\u05d5\u05ea \u05e9\u05dc \u05e6\u05e4\u05dc\u05d9\u05df \u05d1”\u05d6\u05de\u05e0\u05d9\u05dd \u05de\u05d5\u05d3\u05e8\u05e0\u05d9\u05d9\u05dd”. \u05d1”\u05d0\u05e0\u05d9.\u05e2\u05d9\u05e4\u05e8\u05d5\u05df” \u05d0\u05d9\u05df \u05e8\u05d2\u05e2 \u05d1\u05d5 \u05e8\u05d5\u05d0\u05d9\u05dd \u05d0\u05ea \u05d4\u05d3\u05de\u05d5\u05ea \u05d4\u05d6\u05d5 \u05e6\u05d5\u05de\u05d7\u05ea \u05de\u05e2\u05d9\u05e1\u05ea \u05d4\u05d1\u05d5\u05e5, \u05de\u05d4\u05dc\u05d1\u05d4 \u05d1\u05d4 \u05de\u05ea\u05de\u05e7\u05d3\u05ea \u05d4\u05de\u05e6\u05dc\u05de\u05d4 \u05d1\u05e4\u05ea\u05d9\u05d7\u05ea \u05d4\u05e1\u05e8\u05d8 \u05d0\u05da \u05d4\u05d4\u05e7\u05e9\u05e8 \u05e0\u05d5\u05e6\u05e8.\u05d4\u05d5\u05d0 \u05de\u05d6\u05db\u05d9\u05e8 \u05d4\u05de\u05d9\u05ea\u05d5\u05e1\u05d9\u05dd \u05e9\u05dc \u05d1\u05e8\u05d9\u05d0\u05d4, \u05d9\u05e1\u05d5\u05d3\u05d5\u05ea \u05e9\u05dc \u05d9\u05e6\u05d9\u05e8\u05d4, \u05d1\u05de\u05d4 \u05e9\u05de\u05e2\u05dc\u05d4 \u05e2\u05dc \u05d4\u05d3\u05e2\u05ea \u05d0\u05ea \u05d4\u05e2\u05d9\u05e1\u05d5\u05e7 \u05e9\u05dc\u05d5 \u05d1\u05d7\u05d5\u05de\u05e8 \u05d1\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 Potter\u2019s Will, 2015-2016.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
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\u05e6\u05d9\u05dc\u05d5\u05de\u05d9 \u05ea\u05d4\u05dc\u05d9\u05db\u05d9 \u05d4\u05d9\u05d9\u05e6\u05d5\u05e8 \u05d9\u05e4\u05d9\u05dd, \u05e7\u05e6\u05d1\u05d9\u05d9\u05dd \u05d0\u05da \u05d2\u05dd \u05e7\u05e8\u05d9\u05dd \u05d5\u05de\u05e8\u05d5\u05d7\u05e7\u05d9\u05dd \u2013 \u05e4\u05e1 \u05d9\u05e6\u05d5\u05e8 \u05de\u05db\u05e0\u05d9. \u05d4\u05e7\u05dc\u05d9\u05d8\u05d4 \u05d5\u05d4\u05e4\u05dc\u05d9\u05d8\u05d4 \u05e9\u05dc \u05d7\u05d5\u05de\u05e8 , \u05d4\u05e2\u05d9\u05d1\u05d5\u05d3 \u05d4\u05d0\u05d7\u05d9\u05d3 \u05de\u05e2\u05d5\u05e8\u05e8 \u05e1\u05dc\u05d9\u05d3\u05d4 \u05d5\u05d3\u05d5\u05d7\u05d4 \u05db\u05db\u05dc \u05e9\u05d4\u05d5\u05d0 \u05de\u05ea\u05de\u05e9\u05da. \u00a0\u05d1\u05d9\u05de\u05d9\u05dd \u05d0\u05dc\u05d5 \u05d1\u05d4\u05dd \u05d4\u05d3\u05d9\u05d5\u05df \u05d1\u05d4\u05e9\u05dc\u05db\u05d5\u05ea \u05d8\u05db\u05e0\u05d5\u05dc\u05d5\u05d2\u05d9\u05d5\u05ea \u00a0AI \u05d4\u05e4\u05db\u05d5 \u05dc\u05e0\u05d7\u05dc\u05ea \u05d4\u05db\u05dc\u05dc, \u05d5\u05d4\u05e9\u05d9\u05de\u05d5\u05e9 \u05d1\u05d4\u05df \u05d5\u05d1\u05e8\u05d5\u05d1\u05d5\u05d8\u05d9\u05dd \u05d4\u05d5\u05dc\u05da \u05d5\u05de\u05ea\u05e8\u05d7\u05d1 \u05de\u05ea\u05d7\u05d3\u05d3\u05ea \u05d4\u05ea\u05d7\u05d5\u05e9\u05d4 \u05d4\u05d0\u05de\u05d1\u05d9\u05d5\u05d5\u05dc\u05e0\u05d8\u05d9\u05ea \u05dc\u05de\u05d5\u05dc \u05d9\u05d5\u05e4\u05d9\u05d9\u05df \u05e9\u05dc \u05de\u05db\u05d5\u05e0\u05d5\u05ea \u05ea\u05d4\u05dc\u05d9\u05db\u05d9 \u05d9\u05d9\u05e6\u05d5\u05e8.<\/p>

\u05e1\u05e6\u05e0\u05ea \u05d4\u05e8\u05d9\u05e7\u05d5\u05d3 \u05e9\u05dc \u05e2\u05d9\u05e4\u05e8\u05d5\u05df \u05d1\u05d5\u05d3\u05d3 \u2013 \u05d4\u05d9\u05d7\u05d9\u05d3 \u05e9\u05d0\u05d9\u05e0\u05d5 \u05e6\u05d1\u05d5\u05e2 \u05e6\u05d4\u05d5\u05d1. \u05e2\u05dd \u05d9\u05dc\u05d3\u05d4 \u05de\u05ea\u05d5\u05d0\u05e8 \u05d1\u05db\u05dc \u05d0\u05e8\u05e1\u05e0\u05dc \u05d4\u05d7\u05de\u05d9\u05d3\u05d5\u05ea \u05d4\u05de\u05e6\u05d5\u05d9 \u2013 \u05d9\u05dc\u05d3\u05d4 \u05de\u05e7\u05e1\u05d9\u05de\u05d4 \u05e2\u05d2\u05d5\u05dc\u05ea \u05dc\u05d7\u05d9\u05d9\u05dd \u05e9\u05e2\u05d9\u05e0\u05d9\u05d4 \u05ea\u05de\u05d9\u05de\u05d5\u05ea \u05d5\u05e9\u05e2\u05e8\u05d4 \u05d2\u05dc\u05d9 \u05de\u05ea\u05d9\u05d9\u05d3\u05d3\u05ea \u05e2\u05dd \u05d4\u05e2\u05d9\u05e4\u05e8\u05d5\u05df \u00a0\u05d4\u05d1\u05d5\u05d3\u05d3 \u05d4\u05de\u05e8\u05d7\u05e3 \u05db\u05e9\u05e8\u05d1\u05d9\u05d8 \u05e7\u05e1\u05de\u05d9\u05dd. \u05d4\u05d2\u05e8\u05d9, \u05db\u05d3\u05e8\u05db\u05d5 \u05d4\u05d5\u05dc\u05da \u05e8\u05e7 \u05e2\u05d3 \u05e6\u05e2\u05d3 \u05dc\u05e4\u05e0\u05d9 \u05d4\u05e7\u05d9\u05d8\u05e9 – \u05d4\u05d7\u05d5\u05d8 \u05d4\u05de\u05d7\u05d6\u05d9\u05e7 \u05d0\u05ea \u05d4\u05e2\u05d9\u05e4\u05e8\u05d5\u05df \u05e0\u05e8\u05d0\u05d4 \u05d4\u05d9\u05d8\u05d1 \u05dc\u05e6\u05d5\u05e4\u05d4 \u2013 \u05d4\u05e7\u05e1\u05dd \u05d0\u05d9\u05e0\u05d5 \u05e9\u05dc\u05dd.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ben Hagari: I, Pencil 2022<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Ben Hagari: Self Portrait as Sharp Pencil 2022<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Ben Hagari: Self Portrait as Dull Pencil 2022<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u05d4\u05de\u05e4\u05d2\u05e9 \u05e9\u05dc \u05e6\u05d9\u05dc\u05d5\u05dd \u05d4\u05de\u05e2\u05dc\u05d4 \u05e2\u05dc \u05d4\u05d3\u05e2\u05ea \u05de\u05e1\u05d5\u05e8\u05d5\u05ea \u05d0\u05dc\u05d5 \u05d4\u05e7\u05e9\u05d5\u05e8\u05d5\u05ea \u05dc\u05e0\u05d0\u05e6\u05d9\u05d6\u05dd \u05d5\u05ea\u05e0\u05d5\u05e2\u05d5\u05ea “\u05d4\u05e9\u05d1\u05d7\u05d4” \u05d2\u05d6\u05e2\u05d9\u05ea \u05d2\u05dd \u05d1\u05de\u05d3\u05d9\u05e0\u05d5\u05ea \u05e0\u05d5\u05e1\u05e4\u05d5\u05ea, \u05d9\u05d7\u05d3 \u05e2\u05dd \u05d4\u05e2\u05d9\u05e1\u05d5\u05e7 \u05d1\u05de\u05d9\u05db\u05d5\u05df \u05d4\u05d2\u05d5\u05e3 \u05d5\u05d4\u05d4\u05e4\u05e0\u05d9\u05d4 \u05e9\u05d4\u05d2\u05e8\u05d9 \u05de\u05e4\u05e0\u05d4 \u05d0\u05d5\u05ea\u05e0\u05d5 \u05dc\u05d4\u05d2\u05d5\u05ea \u00a0\u05dc\u05d9\u05d1\u05e8\u05d8\u05e8\u05d9\u05d0\u05e0\u05d9\u05ea \u05d4\u05d5\u05e4\u05da \u05d0\u05ea \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05dc\u05d0\u05de\u05d9\u05e8\u05d4 \u05d1\u05e8\u05d5\u05e8\u05d4 \u05d1\u05d6\u05db\u05d5\u05ea \u05d0\u05e0\u05d5\u05e9\u05d9\u05d5\u05ea, \u05dc\u05d4\u05e8\u05d4\u05d5\u05e8 \u05d1\u05de\u05e9\u05de\u05e2\u05d5\u05ea \u05d4\u05de\u05de\u05e9\u05e7 \u05d0\u05d3\u05dd\/\u05de\u05db\u05d5\u05e0\u05d4 \u05d4\u05d9\u05d5\u05dd.<\/p>

\u05d2\u05dc\u05e8\u05d9\u05d4 \u05d2\u05d5\u05e8\u05d3\u05d5\u05df<\/strong>
\u05d4\u05d6\u05e8\u05dd 5, \u05ea\u05dc \u05d0\u05d1\u05d9\u05d1<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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<\/a>Ben Hagari: I, Pencil\u00a0<\/h2>

Ben Hagari\u2019s exhibition \u201cI, Pencil\u201d is a \u00a0\u00a0compelling aesthetic homage to German Expressionism, Futurism, and\u00a0 Constructivism. Once again, Hagari shows himself to be an artist-intellectual whose work overflows with critical historical contexts, illuminating contradictions and paradoxes without becoming didactic.<\/p>

The narrative \u00a0frame of the film is the process of manufacturing pencils, and the encounter of a girl (the artist\u2019s daughter) with a pencil. The title \u00a0of the film and exhibition is taken from the story \u201cI, pencil<\/a>\u201d (1958) by Leonard Read, one of the fathers of Libertarianism. Through visual language, Hagari\u2019s fascinating film refers to the twilight of the great ideologies of the 20th century \u2013 Communism and Fascism\u2013 as well as Libertarianism that flourished mainly towards the beginning of the Millennium. The film corresponds with \u00a0some 20th century masterpieces. , It also employs some Netflix-type clich\u00e9s \u00a0but maintains\u00a0 an ironic distancing.<\/p>

\u201cI, Pencil,\u201d written as a childlike parable became \u00a0a flagship text of Libertarianism (roughly defined as the limitation of governmental powers, belief in a free market economy, and opposition to the welfare state). The seemingly innocent story narrated by a pencil describes the many stages of its production, from the original tree through transportation, graphite, painting, and sharpening. The moral of the tale is that the knowledge of how to produce a pencil does not lie with a single person, but is accomplished by many working together, guided by \u00a0the \u201cinvisible hand\u201d of the marketplace arising from free people\u2019s will to profit and amass assets. In 1976, none other than Nobel Prize laureate Milton Friedman wrote an Afterword to the story. Friedman\u2019s economic theories greatly contributed to the unimaginable economic gaps which we are facing today.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ben Hagari: I, Pencil 2022<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Hagari has been referring to German Expressionism – especially its cinema – for years, as I wrote in my review of his exhibition Invert (Rosenfeld Gallery, 2011). The broad influences range from Fritz Lang\u2019s Metropolis<\/a>\u00a0 (1927) to Fernand L\u00e9ger\u2019s Ballet M\u00e9canique<\/a>\u00a0 (1924) through Chaplin\u2019s Modern Times<\/a>\u00a0 (1936). The last three films represent worldviews in sharp contrast to \u201cI, Pencil\u201d \u2013 Lang held the salvation of laborers as an ideal. Leger\u2019s ballet of the machine has empathy to the figure of the woman carrying a sack on her back through the streets of Paris as a kind of feminine Sisyphus, and if there is an \u201cinvisible hand\u201d in Chaplin\u2019s film, he seems to feel it abuses the working man. Hagari presents a grey, barefoot human figure at the beginning of the film, reminiscent of Lang\u2019s workers and the non-comic face behind Chaplin\u2019s character in Modern Times.<\/p>

In \u201cI, Pencil,\u201d we do not see this figure growing out of the mud, from the lava on which the camera focuses at the opening of the film, but the context is formed. Hagari reminds us of creation myths and the elements of creation, bringing to mind his engagement in material (clay) \u00a0in his exhibition \u201cPotter\u2019s Will\u201d (2015-2016),.<\/p>

The shots of the production processes are beautiful and rhythmic, but also cold and distant \u2013 a mechanical assembly line in which intake and outgo of material and its uniform processing arouses \u00a0disdain the longer it continues. At present, when the discourse on the ramifications of AI technologies being accessible, with use of AI and robots expanding, the ambivalence when observing the beauty of production machinery becomes more acute.<\/p>

There is an important scene in which the only unpainted pencil dances, with a girl depicted with the full arsenal of cuteness \u2013 with round cheeks, innocent eyes, and curls \u2013 who makes friends with the lone pencil floating like a magic wand. Hagari stops one step before kitsch, since the string holding the pencil is visible, rendering the magic incomplete.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ironic distance is preserved by two self portraits by Hagari facing each other. He is in \u201cblackface\u201d \u2013 here as \u201cgraphite face.\u201d In one portrait, he is the sharpened pencil in a yellow shirt with a pointed collar, while in the second he is a dull pencil. The sarcastic statement depicting people as \u201cnot the sharpest pencil in the box\u201d resonates loudly, but what is stronger is the hint at police mug shot practices, or \u201cscientific\u201d photographs for eugenics purposes to prove racial inferiority or to mock people with physical anomalies. The encounter between photographs that bring these traditions to mind \u2013Nazism and \u201cracial betterment\u201d movements in other countries, along with the engagement with the mechanization of the body, and reference to Libertarianism to which Hagari brings to our attention, turns the exhibition into a clear \u00a0call for humanity to contemplate the human\/machine interface at present.<\/p>

Translation :Judith Applton\u00a0
Gordon Gallery\u00a0 TLV\u00a0<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

For English click here \u05d1\u05df \u05d4\u05d2\u05e8\u05d9 \u05d9\u05d5\u05e6\u05e8 \u05d1”\u05d0\u05e0\u05d9, \u05e2\u05e4\u05e8\u05d5\u05df” \u00a0\u05de\u05d7\u05d5\u05d5\u05d4 \u05d0\u05e1\u05d8\u05d8\u05d9 \u05de\u05e8\u05d4\u05d9\u05d1 \u05dc\u05d0\u05e7\u05e1\u05e4\u05e8\u05e1\u05d9\u05d5\u05e0\u05d9\u05d6\u05dd \u05d4\u05d2\u05e8\u05de\u05e0\u05d9, \u05dc\u05e4\u05d5\u05d8\u05d5\u05e8\u05d9\u05d6\u05dd \u05d5\u05d4\u05e7\u05d5\u05e0\u05e1\u05d8\u05e8\u05d5\u05e7\u05d8\u05d9\u05d1\u05d9\u05d6\u05dd . \u05d4\u05d5\u05d0 \u05de\u05ea\u05d2\u05dc\u05d4, \u05e9\u05d5\u05d1, \u05db\u05d0\u05de\u05df -\u05d0\u05d9\u05e0\u05d8\u05dc\u05e7\u05d8\u05d5\u05d0\u05dc \u05e9\u05e2\u05d1\u05d5\u05d3\u05ea\u05d5 \u05e8\u05d5\u05d5\u05d9\u05d4 \u05d4\u05e7\u05e9\u05e8\u05d9\u05dd \u05d4\u05d9\u05e1\u05d8\u05d5\u05e8\u05d9\u05d9\u05dd \u05d5\u05d1\u05d9\u05e7\u05d5\u05e8\u05ea\u05d9\u05d9\u05dd \u05d5\u05de\u05d0\u05d9\u05e8\u05d4 \u05e1\u05ea\u05d9\u05e8\u05d5\u05ea \u05d5\u05e4\u05e8\u05d3\u05d5\u05db\u05e1\u05d9\u05dd \u05de\u05d1\u05dc\u05d9 \u05dc\u05d4\u05e4\u05d5\u05da \u05dc\u05d3\u05d9\u05d3\u05e7\u05d8\u05d9\u05ea. \u05e9\u05e1\u05d9\u05e4\u05d5\u05e8 \u05d4\u05de\u05e1\u05d2\u05e8\u05ea \u05e9\u05dc \u05d4\u05e1\u05e8\u05d8 \u05d4\u05d5\u05d0 \u05ea\u05d4\u05dc\u05d9\u05da \u05d9\u05d9\u05e6\u05d5\u05e8 \u05e2\u05e4\u05e8\u05d5\u05e0\u05d5\u05ea \u05d5\u05de\u05e4\u05d2\u05e9 \u05e2\u05d9\u05e4\u05e8\u05d5\u05df \u05d0\u05d7\u05d3 \u05e2\u05dd \u05d9\u05dc\u05d3\u05d4 (\u05d1\u05ea\u05d5 \u05e9\u05dc \u05d4\u05d0\u05de\u05df). \u05e9\u05dd \u05d4\u05e2\u05d1\u05d5\u05d3\u05d4 \u05d5\u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4, \u05dc\u05d5\u05e7\u05d7 \u05d0\u05ea \u05e9\u05de\u05d5 […]<\/p>\n","protected":false},"author":1,"featured_media":18707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112],"tags":[],"acf":[],"yoast_head":"\nBen Hagari: I, Pencil | \u05d1\u05df \u05d4\u05d2\u05e8\u05d9: \u05d0\u05e0\u05d9, \u05e2\u05d9\u05e4\u05e8\u05d5\u05df - 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