{"id":20110,"date":"2024-03-16T17:31:41","date_gmt":"2024-03-16T15:31:41","guid":{"rendered":"https:\/\/www.smadarsheffi.com\/?p=20110"},"modified":"2024-03-16T18:03:14","modified_gmt":"2024-03-16T16:03:14","slug":"cities-and-valleys","status":"publish","type":"post","link":"https:\/\/www.smadarsheffi.com\/?p=20110","title":{"rendered":"Cities and Valleys"},"content":{"rendered":"\t\t
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Cities and Valleys<\/span>
<\/strong>Curator Dr. Smadar Sheffi<\/strong><\/span><\/h1>

Feathers, Gold + Concrete | Eliahou Eric Bokobza
<\/strong>Guest Project: Maps, Amulets + Wildflowers | Esther Cohen
<\/strong>The Laurie M. Tisch Gallery<\/strong>,<\/strong> JCC Manhattan<\/strong><\/span>\u00a0<\/strong><\/span>\u00a0<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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For English Click here<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05de\u05ea\u05d1\u05d5\u05e0\u05e0\u05ea\u00a0 \u05d1\u05d6\u05d4\u05d5\u05ea \u05d9\u05e9\u05e8\u05d0\u05dc\u05d9\u05ea \u05d4\u05de\u05e8\u05d5\u05d1\u05d3\u05ea, \u05d1\u05ea\u05e7\u05d5\u05e4\u05d4 \u05d1\u05d4 “\u05d6\u05d4\u05d5\u05ea” \u05e2\u05d5\u05d1\u05e8\u05ea \u05ea\u05d4\u05dc\u05d9\u05da \u05e4\u05e8\u05d2\u05de\u05e0\u05d8\u05e6\u05d9\u05d4 \u05dc\u05e1\u05d2\u05de\u05e0\u05d8\u05d9\u05dd \u05e7\u05d8\u05e0\u05d9\u05dd \u05d5\u05e1\u05e4\u05e6\u05d9\u05e4\u05d9\u05d9\u05dd \u05d9\u05d5\u05ea\u05e8 \u05d5\u05d9\u05d5\u05ea\u05e8, \u05d5\u05e7\u05d4\u05d9\u05dc\u05d5\u05ea \u05e8\u05d1\u05d5\u05ea \u05de\u05d0\u05d9 \u05e4\u05e2\u05dd \u05ea\u05d5\u05d1\u05e2\u05d5\u05ea \u05dc\u05d4\u05e9\u05de\u05d9\u05e2 \u05e7\u05d5\u05dc \u05d5\u05dc\u05e7\u05d1\u05dc \u05de\u05e7\u05d5\u05dd \u05d1\u05de\u05e8\u05d7\u05d1 \u05d4\u05d7\u05d1\u05e8\u05ea\u05d9 \u05ea\u05e8\u05d1\u05d5\u05ea\u05d9.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Cities and Valleys \n(photograph Ohad Kab) <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u05d1”\u05e0\u05d5\u05e6\u05d5\u05ea \u05d6\u05d4\u05d1 \u05d5\u05d1\u05d8\u05d5\u05df” \u05d0\u05dc\u05d9\u05d4\u05d5 \u05d0\u05e8\u05d9\u05e7 \u05d1\u05d5\u05e7\u05d5\u05d1\u05d6\u05d4 \u05de\u05e6\u05e8\u05e3 \u05d0\u05d2\u05d3\u05d4 (\u05d4\u05e0\u05d5\u05e6\u05d5\u05ea) \u05e2\u05dd \u05d4\u05ea\u05e8\u05e4\u05e7\u05d5\u05ea, \u05d0\u05e9\u05dc\u05d9\u05d9\u05ea\u05d9\u05ea \u05d1\u05d1\u05e1\u05d9\u05e1\u05d4,\u00a0 \u05e2\u05dc \u05e2\u05d1\u05e8 (\u05d4\u05d6\u05d4\u05d1) \u05d5\u05d4\u05de\u05e4\u05d2\u05e9 \u05e2\u05dd \u05d4\u05de\u05d5\u05d3\u05e8\u05e0\u05d9\u05d6\u05dd (\u05d4\u05d1\u05d8\u05d5\u05df) \u05e2\u05dc \u05ea\u05e7\u05d5\u05d5\u05ea\u05d9\u05d5 \u05e9\u05e0\u05db\u05d6\u05d1\u05d5. \u05de\u05d4\u05d3\u05d5\u05db\u05d9\u05e4\u05ea, \u05d4\u05e6\u05d9\u05e4\u05d5\u05e8 \u05d4\u05e7\u05e9\u05d5\u05e8\u05d4 \u05dc\u05e9\u05dc\u05de\u05d4 \u05d4\u05de\u05dc\u05da \u05d5\u05de\u05dc\u05db\u05ea \u05e9\u05d1\u05d0 \u2013 \u05de\u05e4\u05d2\u05e9 \u05d1\u05d9\u05df \u05ea\u05e8\u05d1\u05d5\u05d9\u05d5\u05ea \u05d4\u05de\u05e1\u05d5\u05e4\u05e8 \u05d1\u05ea\u05e0”\u05da (\u05de\u05dc\u05db\u05d9\u05dd \u05d0’, \u05e4\u05e8\u05e7 \u05d9’, \u05d0-\u05d9\u05d2 ), \u05d3\u05e8\u05da \u05d9\u05d9\u05e6\u05d5\u05d2\u05d9 \u05e2\u05d1\u05d3\u05d9\u05dd \u05e1\u05d8\u05e8\u05d0\u05d5\u05d8\u05d9\u05e4\u05d9\u05d9\u05dd \u05d1\u05e1\u05e6\u05e0\u05d5\u05ea \u05e7\u05d5\u05dc\u05d5\u05e0\u05d9\u05d0\u05dc\u05d9\u05d5\u05ea, \u05d5\u05e2\u05d3 \u05dc\u05ea\u05d9\u05d0\u05d5\u05e8\u05d9 \u05d4\u05d1\u05e0\u05d9\u05d4 \u05d1\u05e1\u05d2\u05e0\u05d5\u05df \u05d4\u05d1\u05d9\u05e0\u05dc\u05d0\u05d5\u05de\u05d9 (“\u05d4\u05e2\u05d9\u05e8 \u05d4\u05dc\u05d1\u05e0\u05d4”) \u05d1\u05ea\u05dc \u05d0\u05d1\u05d9\u05d1, \u05d1\u05d5\u05e7\u05d5\u05d1\u05d6\u05d4 \u05d9\u05d5\u05e6\u05e8 \u05e7\u05dc\u05d9\u05d3\u05d5\u05e1\u05e7\u05d5\u05e4 \u05d0\u05d9\u05e7\u05d5\u05e0\u05d5\u05d2\u05e8\u05e4\u05d9.<\/p>

\u05d1\u05d0\u05de\u05e6\u05e2\u05d5\u05ea \u05d9\u05d5\u05e4\u05d9 \u05e9\u05d5\u05d1\u05d4 \u05dc\u05d1, \u05d9\u05e9\u05d9\u05e8, \u05d4\u05d5\u05d0 \u05de\u05e0\u05ea\u05d7 \u05d1\u05d0\u05d5\u05e4\u05df \u05de\u05d5\u05e9\u05d7\u05d6 \u05d5\u05d0\u05d9\u05e8\u05d5\u05e0\u05d9 \u05e1\u05d8\u05e8\u05d0\u05d5\u05d8\u05d9\u05e4\u05d9\u05dd \u05d4\u05e7\u05e9\u05d5\u05e8\u05d9\u05dd \u05dc\u05de\u05e7\u05d5\u05e8\u05d5\u05ea \u05d4\u05de\u05e9\u05e4\u05d7\u05ea\u05d9\u05d9\u05dd \u05e9\u05dc\u05d5 \u05d4\u05d9\u05d4\u05d5\u05d3\u05d9\u05dd-\u05e6\u05e8\u05e4\u05ea\u05d9\u05dd- \u05d8\u05d5\u05e0\u05d9\u05e1\u05d0\u05d9\u05dd, \u05d5\u05dc\u05d7\u05d9\u05d9\u05d5 \u05db\u05d9\u05e9\u05e8\u05d0\u05dc\u05d9.\u00a0\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Cities and Valleys \nCurator Dr. Smadar Sheffi\nFeathers, Gold + Concrete | Eliahou Eric Bokobza\n(photograph Ohad Kab)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Cities and Valleys.\nCurator Dr. Smadar Sheffi.\nFeathers, Gold + Maps, Amulets + Wildflowers | Esther Cohen\n<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/a>Cities and Valleys
<\/strong>\u00a0Curator Dr. Smadar Sheffi<\/strong><\/span><\/h2>

The work of Eliahou Eric Bokobza examines Israeli cultural identity through brightly colored paintings, sculptures, and video animations, all through the lens of his North African Jewish roots. Esther Cohen\u2019s work, on the other hand, traces a cultural journey through her Jewish Yemenite heritage, focusing on silversmithing, subverting the language of traditionally masculine craftsmanship in the process.<\/p>

This exhibition explores Israel from two different perspectives, focusing on issues such as racism and patriarchal structures that are still topical today through the lens of historical craftsmanship. In tandem, Bokobza and Cohen’s divergent approaches converge to offer a nuanced and multifaceted exploration of Israel, shedding light on the intricate layers of cultural identity and history within the nation’s diverse tapestry.<\/p>

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Esther Cohen<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Eliahou Eric Bokobza<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Eliahou Eric Bokobza: Feathers, Gold + Concrete
<\/strong>Curator: Dr. Smadar Sheffi<\/strong><\/p>

For more than 20 years, Eliahou Eric Bokobza has engaged in critical observation and depiction of Israeli cultural identity, addressing the multitude of contradictions, nuances, and myths that comprise its distinctive texture. His signature style, accented by geometric patterns, florals, and semi-ethnic designs, celebrates a convergence of Orient and Occident, tradition and modernity. Bokobza\u2019s exuberantly colored paintings, sculptures, and video animations dismantle assumptions about cross-cultural history, arguing both that differences are smaller than perceived and that liberal progress is less advanced than we may have hoped.
Bokobza\u2019s intricate oeuvre unfurls, fragmented but constantly interconnected. He mines autobiographical sources: born in Paris to an opera singer and legal scholar who emigrated from Tunis, he grew up in a Francophile environment. The family was proud of its North African Jewish roots, even after they immigrated once more to Israel when Bokobza was six. Tel Aviv (Jaffa), his home, appears repeatedly in his work, depicting its hallmark International-style buildings: Jaffa’s Muslim, Ottoman, and European history; the sprawling beach; and its local-global aspirations. Bokobza\u2019s protagonists bear identical features, all with wide-open eyes observing the absurdities of life.
Salt & Pepper, an edition of colorful sculptural objects, is a concise portrayal of the dichotomy between East and West. A miniature international-style building with white salt shaker towers looms over a domed Oriental edifice resembling a black pepper shaker. These hand-painted, 3D-printed objects reflect Bokobza\u2019s cross-cultural and cross-temporal considerations.
The Eurasian Hoopoe, Israel\u2019s national bird, is a recurring motif in Bokobza\u2019s works. According to myth, this bird conveyed King Solomon\u2019s invitation to the Queen of Sheba, thus symbolizing the bridging of cultures. The Eurasian Hoopoe is featured in small jewel-like paintings on lavish gold (washi paper glued to gold foil) and in paintings of imaginary urban scenes.
Embedded in the works featuring the Eurasian Hoopoe are witty criticisms of racism. In T\u00eate Choco, which refers to the popular t\u00eate de n\u00e8gre (chocolate-coated marshmallow), a cute child (the artist\u2019s alter ego) is dressed in colonial attire, standing by a stereotypical servant-cum-genie. In a video animation of a fl\u00e2neur in Tel Aviv, the bird signifies cultural hybridity. Beneath the veneer of colorful and wondrous art, Bokobza explores the diverse conceptual concerns of cultural inclusivity and relativity that define our present.<\/p>

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Esther Cohen: Maps, Amulets + Wildflowers
<\/strong>Curator: Dr. Smadar Sheffi<\/strong><\/p>

\u00a0<\/strong>Esther Cohen\u2019s drawings trace a journey through her Jewish Yemenite heritage, traversing personal and collective memories from circles of family, community, tradition, religion, and history.
In ballpoint pen and ink, she depicts floral motifs and jewels, amulets, and talismans in hyperrealistic detail\u2014a wealth of material culture. Depictions of jewelry for rites of passage and amulets are juxtaposed with plants that inspire decorative forms. These research-based drawings mark points of encounter between the symbolic, the magical, and daily life. Cohen\u2019s work reflects traditional Yemenite silversmithing, a trade predominantly practiced by Jewish males. On stark white backgrounds, the objects become powerful stories.
By drawing the plants that are the botanical inspiration for pieces made of beads, compositions of filigree (woven silver thread), and granulation, Cohen deciphers the symbolism of fertility and virility in the jewelry, as in \u201cMy Beloved Is Like a Cluster of Henna in the Vineyards of Ein-Gedi\u201d. She subtly subverts the heritage marked by these objects made by men for women, assuming the maker role, and deconstructing their visual language. Throughout history, jewelry signified a woman\u2019s social and economic status and was usually her sole possession. Although jewelry denoted dependence, as it was frequently bestowed by patriarchs, it secured women some economic independence. Cohen questions hierarchy. She stylizes natural visual inspiration to become a form of tradable currency and captivating beauty.
In works such as \u201cSea-Squills (Drimia) in the Negev\u201d, wildflowers that imbue patriotic Israeli iconography and ancient Greek, Christian, and Muslim myths are drawn over maps of Israel’s natural habitat areas. The maps indicate the continuous flux of border modifications in the region, and the flora symbolizes the ever-generous presence of nature.
The series Anemone Mashrabiya shows a hybrid depiction of a live plant and an object, combining a popular local red wildflower and a traditional Islamic architectural element, the mashrabiya. The red flower is linked to blood\u2014its mythical inception occurred when Aphrodite sprinkled nectar on the blood of her dead lover Adonis. The mashrabiya, a latticed window, is a passive cooling element that also obstructs women from sight while allowing them a (limited) view of the outside. Weaving the elements together, Cohen turns the voids in the latticework into eyes. She draws flowers growing up and down, their stems forming part of the intricate mashrabiya\u2014a vivacious being celebrating life.
Cohen\u2019s drawings, with their meticulous details, allow us to revisit and appreciate a tradition of craftsmanship while decoding its language, its song to nature, and its protective meaning.<\/p>

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Cities and Valleys.\nCurator Dr. Smadar Sheffi.\nFeathers, Gold + Maps, Amulets + Wildflowers | Esther Cohen\n<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Cities and ValleysCurator Dr. Smadar Sheffi Feathers, Gold + Concrete | Eliahou Eric BokobzaGuest Project: Maps, Amulets + Wildflowers | Esther CohenThe Laurie M. Tisch Gallery, JCC Manhattan\u00a0\u00a0 For English Click here \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05de\u05ea\u05d1\u05d5\u05e0\u05e0\u05ea\u00a0 \u05d1\u05d6\u05d4\u05d5\u05ea \u05d9\u05e9\u05e8\u05d0\u05dc\u05d9\u05ea \u05d4\u05de\u05e8\u05d5\u05d1\u05d3\u05ea, \u05d1\u05ea\u05e7\u05d5\u05e4\u05d4 \u05d1\u05d4 “\u05d6\u05d4\u05d5\u05ea” \u05e2\u05d5\u05d1\u05e8\u05ea \u05ea\u05d4\u05dc\u05d9\u05da \u05e4\u05e8\u05d2\u05de\u05e0\u05d8\u05e6\u05d9\u05d4 \u05dc\u05e1\u05d2\u05de\u05e0\u05d8\u05d9\u05dd \u05e7\u05d8\u05e0\u05d9\u05dd \u05d5\u05e1\u05e4\u05e6\u05d9\u05e4\u05d9\u05d9\u05dd \u05d9\u05d5\u05ea\u05e8 \u05d5\u05d9\u05d5\u05ea\u05e8, \u05d5\u05e7\u05d4\u05d9\u05dc\u05d5\u05ea \u05e8\u05d1\u05d5\u05ea \u05de\u05d0\u05d9 \u05e4\u05e2\u05dd \u05ea\u05d5\u05d1\u05e2\u05d5\u05ea \u05dc\u05d4\u05e9\u05de\u05d9\u05e2 \u05e7\u05d5\u05dc […]<\/p>\n","protected":false},"author":1,"featured_media":20111,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"acf":[],"yoast_head":"\nCities and Valleys - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.smadarsheffi.com\/?p=20110\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cities and Valleys - \u05d3"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9\" \/>\n<meta property=\"og:description\" content=\"Cities and ValleysCurator Dr. Smadar Sheffi Feathers, Gold + Concrete | Eliahou Eric BokobzaGuest Project: Maps, Amulets + Wildflowers | Esther CohenThe Laurie M. 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