{"id":20209,"date":"2024-03-23T19:54:51","date_gmt":"2024-03-23T17:54:51","guid":{"rendered":"https:\/\/www.smadarsheffi.com\/?p=20209"},"modified":"2024-03-26T20:44:46","modified_gmt":"2024-03-26T18:44:46","slug":"%d7%90%d7%a1%d7%9b%d7%95%d7%9c%d7%aa-%d7%99%d7%a8%d7%95%d7%a9%d7%9c%d7%99%d7%9d-%d7%a8%d7%95%d7%97-%d7%90%d7%91%d7%9f-jerusalem-school-the-spirit-stone","status":"publish","type":"post","link":"https:\/\/www.smadarsheffi.com\/?p=20209","title":{"rendered":"\u05d0\u05e1\u05db\u05d5\u05dc\u05ea \u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd, \u05e8\u05d5\u05d7 \u05d0\u05d1\u05df | Jerusalem School, The Spirit Stone"},"content":{"rendered":"\t\t
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For English Click here<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The \u201cSpirit Stone\u201d exhibit in the new gallery at the Tower of David<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u05d1\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05de\u05d5\u05e6\u05d2\u05d9\u05dd \u05e1\u05e8\u05d8\u05d9 \u05d0\u05e8\u05db\u05d9\u05d5\u05df \u05d4\u05de\u05ea\u05e2\u05d3\u05d9\u05dd \u05d0\u05ea \u05d4\u05d7\u05d9\u05d9\u05dd \u05d5\u05d3\u05de\u05d5\u05d9\u05d5\u05ea \u05d1\u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd. \u05ea\u05d9\u05e2\u05d5\u05d3 \u05d1\u05d9\u05e7\u05d5\u05e8 \u05e9\u05dc \u00a0\u05d6\u05d5\u05d2 \u05e4\u05d9\u05dc\u05e0\u05ea\u05e8\u05d5\u05e4\u05d9\u05dd \u05d0\u05de\u05e8\u05d9\u05e7\u05d0\u05d9\u05dd \u05d1\u05d1\u05e6\u05dc\u05d0\u05dc \u05d1 1911. \u05de\u05e7\u05e1\u05d9\u05dd \u05d1\u05de\u05d9\u05d5\u05d7\u05d3. \u05e9\u05e5 \u05d5\u05d0\u05d1\u05dc- \u05e4\u05df \u05e0\u05e8\u05d0\u05d9\u05dd \u05d1\u05ea\u05dc\u05d1\u05d5\u05e9\u05ea \u05d4\u05d0\u05d5\u05e8\u05d9\u05d9\u05e0\u05d8\u05dc\u05d9\u05e1\u05d8\u05d9\u05ea \u2013 \u05e7\u05d5\u05dc\u05d5\u05e0\u05d9\u05d0\u05dc\u05d9\u05ea \u05e9\u05d0\u05d9\u05de\u05e6\u05d5 \u05dc\u05e2\u05e6\u05de\u05dd, \u05d2\u05dc\u05d1\u05d9\u05d4 \u05dc\u05d1\u05e0\u05d4 \u05d5\u05e7\u05e1\u05d3\u05d4 \u05dc\u05d1\u05e0\u05d4 \u05de\u05d4\u05e1\u05d5\u05d2 \u05e9\u05e9\u05d9\u05de\u05e9\u05d4 \u05d7\u05d5\u05e7\u05e8\u05d9 \u05d0\u05e8\u05e6\u05d5\u05ea \u05d5\u05d0\u05d3\u05de\u05d9\u05e0\u05d9\u05e1\u05d8\u05e8\u05d8\u05d5\u05e8\u05d9\u05dd \u05e7\u05d5\u05dc\u05d5\u05e0\u05d9\u05d0\u05dc\u05d9\u05e1\u05d8\u05d9\u05dd \u05d1\u05e2\u05d9\u05e7\u05e8 \u05d1\u05d0\u05e4\u05e8\u05d9\u05e7\u05d4. \u00a0\u05d4\u05dd \u05de\u05e6\u05d5\u05dc\u05de\u05d9\u05dd \u05de\u05d3\u05e8\u05d9\u05db\u05d9\u05dd \u05d1\u05e1\u05d3\u05e0\u05d0\u05d5\u05ea \u05d4\u05d0\u05e8\u05d9\u05d2\u05d4 \u05d5\u05d4\u05e6\u05d5\u05e8\u05e4\u05d5\u05ea \u05d1\u05d4\u05df \u05e2\u05d1\u05d3\u05d5 \u05e4\u05d5\u05e2\u05dc\u05d9\u05dd, \u05d1\u05e2\u05d9\u05e7\u05e8 \u05d9\u05d4\u05d5\u05d3\u05d9\u05dd \u05de\u05d0\u05e8\u05e6\u05d5\u05ea \u05d4\u05de\u05d6\u05e8\u05d7, \u05d1\u05de\u05d9\u05d5\u05d7\u05d3 \u05ea\u05d9\u05de\u05df. \u05e4\u05d5\u05e2\u05dc\u05d9\u05dd \u05d0\u05dc\u05d5 \u05d9\u05e6\u05e8\u05d5, \u05d1\u05db\u05d9\u05e9\u05d5\u05e8\u05d9\u05dd \u05d4\u05d0\u05de\u05e0\u05d5\u05ea\u05d9\u05d9\u05dd \u05e9\u05dc\u05d4\u05dd \u05d3\u05d2\u05de\u05d9\u05dd \u05d0\u05d5\u05e8\u05d9\u05e0\u05d8\u05dc\u05d9\u05e1\u05d8\u05d9\u05dd \u05de\u05d5\u05d1\u05d4\u05e7\u05d9\u05dd \u05e9\u05e0\u05d7\u05e9\u05d1\u05d5 \u05db\u05d0\u05de\u05e0\u05d5\u05ea \u05d9\u05d4\u05d5\u05d3\u05d9\u05ea \u05d1\u05e8\u05d5\u05d7 \u05dc\u05d0\u05d5\u05de\u05d9\u05ea. \u05d4\u05d2\u05d9\u05dc \u05d4\u05e6\u05e2\u05d9\u05e8 \u05e9\u05dc \u05d7\u05dc\u05e7 \u05e0\u05d9\u05db\u05e8 \u05de\u05d4\u05e2\u05d5\u05d1\u05d3\u05d5\u05ea \u05d5\u05d4\u05e2\u05d5\u05d1\u05d3\u05d9\u05dd \u05d1\u05d5\u05dc\u05d8. \u05d1\u05d7\u05dc\u05e7 \u05d0\u05d7\u05e8 \u05d4\u05dd \u05e0\u05e8\u05d0\u05d9\u05dd \u05de\u05e9\u05d5\u05e2\u05e9\u05e2\u05d9\u05dd \u05d1\u05d7\u05d2\u05d9\u05d2\u05d4 \u05d1\u05d7\u05e6\u05e8 \u05d1\u05d9\u05ea \u05d4\u05e1\u05e4\u05e8 \u05e2\u05dd \u05de\u05ea\u05e2\u05de\u05dc \u05e8\u05d0\u05d5\u05d5\u05d4 \u05d5\u05d4\u05de\u05d5\u05df \u05e1\u05d8\u05d5\u05d3\u05e0\u05d8\u05d9\u05dd \u05d1\u05db\u05d5\u05d1\u05e2\u05d9 \u05d1\u05d0\u05e8\u05d8 \u05d5\u05d9\u05dc\u05d3\u05d5\u05ea \u05e8\u05d1\u05d5\u05ea (\u05e4\u05d5\u05e2\u05dc\u05d5\u05ea?).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
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\n\t\t\t\t
\n\t\t\t\t\t\t\t

\u05e7\u05d5\u05d1\u05d5 \u05de\u05e6\u05d9\u05d2\u05d4 \u05de\u05d1\u05d7\u05e8 \u05de\u05d4\u05e9\u05d8\u05d7\u05d9\u05dd \u05d5\u05e2\u05d1\u05d5\u05d3\u05d5\u05ea \u05d4\u05de\u05ea\u05db\u05ea \u05e9\u05dc\u05e6\u05d3 \u05d4\u05ea\u05d9\u05e2\u05d5\u05d3 \u05e0\u05d8\u05e2\u05e0\u05d9\u05dd \u05de\u05e9\u05de\u05e2\u05d9\u05d5\u05ea \u05e0\u05d5\u05e1\u05e4\u05d5\u05ea \u05de\u05e2\u05d1\u05e8 \u05dc\u05d4\u05d9\u05d5\u05ea\u05dd \u05d4\u05e1\u05de\u05dc\u05d9\u05dd \u05d4\u05de\u05d5\u05d1\u05d4\u05e7\u05d9\u05dd \u05e9\u05dc \u05e2\u05d1\u05e8\u05d9\u05d5\u05ea \u05d4\u05ea\u05e7\u05d5\u05e4\u05d4. \u05de\u05e2\u05e0\u05d9\u05d9\u05df \u05d2\u05dd \u05dc\u05e8\u05d0\u05d5\u05ea \u05d0\u05ea \u05e9\u05d9\u05e7\u05d5\u05e3 \u05d7\u05d9\u05d9 \u05d4\u05e1\u05d8\u05d5\u05d3\u05e0\u05d8\u05d9\u05dd \u05d1\u05e8\u05d9\u05e9\u05d5\u05de\u05d9\u05dd \u05e9\u05dc \u05e0\u05d7\u05de\u05d9\u05d4 \u05d1\u05d3\u05e8\u05e9\u05d9 \u05d0\u05de\u05df \u05dc\u05d0 \u05de\u05d5\u05db\u05e8 \u05dc\u05d9 \u05e9\u05d4\u05d9\u05d4 \u05d1\u05df \u05db\u05d9\u05ea\u05ea\u05dd \u05e9\u05dc \u05e0\u05d7\u05d5\u05dd \u05d2\u05d5\u05d8\u05de\u05df, \u05e8\u05d0\u05d5\u05d1\u05df \u05e8\u05d5\u05d1\u05d9\u05df, \u05ea\u05dc\u05de\u05d4 \u05d9\u05dc\u05d9\u05df \u05d5\u05e6\u05d9\u05d5\u05e0\u05d4 \u05ea\u05d2’\u05e8.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Nehemia Badarshi , in The \u201cSpirit Stone\u201d <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
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\u05d4\u05d0\u05de\u05e0\u05d5\u05ea \u05d1\u05ea\u05e7\u05d5\u05e4\u05ea \u05d4\u05de\u05e0\u05d3\u05d8 \u05db\u05d5\u05dc\u05dc\u05ea \u05d0\u05ea \u05d4\u05de\u05d4\u05d2\u05e8\u05d9\u05dd \u05d4\u05de\u05d2\u05d9\u05e2\u05d9\u05dd \u05d1\u05e9\u05e0\u05d5\u05ea \u05d4\u05e2\u05e9\u05e8\u05d9\u05dd \u05de\u05de\u05e8\u05db\u05d6 \u05d0\u05d9\u05e8\u05d5\u05e4\u05d4 \u05d5\u05d1\u05d4\u05dd \u05d2\u05e8\u05d8\u05d4 \u05d5\u05d5\u05dc\u05e3- \u05e7\u05e8\u05e7\u05d5\u05d0\u05e8 \u05d5\u05dc\u05d0\u05d5\u05e4\u05d5\u05dc\u05d3 \u05e7\u05e8\u05e7\u05d5\u05d0\u05e8. \u05d5\u05d5\u05dc\u05e3 \u05e7\u05e8\u05e7\u05d5\u05d0\u05e8 \u05e9\u05d4\u05d2\u05d9\u05e2\u05d4 \u05d1\u05e1\u05d5\u05e3 1924,\u05de\u05e1\u05d9\u05d1\u05d5\u05ea \u05e6\u05d9\u05d5\u05e0\u05d9\u05d5\u05ea \u05d5\u05e1\u05d5\u05e6\u05d9\u05d0\u05dc\u05d9\u05e1\u05d8\u05d9\u05d5\u05ea, \u00a0\u05d4\u05d9\u05d9\u05ea\u05d4 \u05e0\u05d5\u05e9\u05d0 \u05e2\u05d1\u05d5\u05d3\u05ea \u05d4\u05d3\u05d5\u05e7\u05d8\u05d5\u05e8\u05d8 \u05e9\u05dc\u05d9. \u05d1 2018 \u05d0\u05e6\u05e8\u05ea\u05d9 \u05d0\u05ea “\u05d2\u05e8\u05d8\u05d4 \u05d5\u05d5\u05dc\u05e3 \u05e7\u05e8\u05e7\u05d5\u05d0\u05e8: \u05de\u05d5\u05d5\u05d9\u05e0\u05d4 \u05dc\u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd”, \u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05e0\u05e8\u05d7\u05d1\u05ea \u05de\u05e2\u05d1\u05d5\u05d3\u05d5\u05ea\u05d9\u05d4 \u05d1\u05de\u05d5\u05d6\u05d9\u05d0\u05d5\u05df \u05e2\u05d9\u05df \u05d7\u05e8\u05d5\u05d3(\u05e2\u05dc \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 , \u05db\u05d5\u05dc\u05dc \u05e7\u05d8\u05dc\u05d5\u05d2 \u05de\u05dc\u05d0, \u05d1\u05de\u05d3\u05d5\u05e8 \u05e4\u05e8\u05d5\u05d9\u05e7\u05d8\u05d9\u05dd<\/a>). \u05de\u05d1\u05d7\u05e8 \u05d4\u05d3\u05d9\u05d5\u05e7\u05e0\u05d0\u05d5\u05ea \u05e9\u05d1\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05d4\u05e0\u05d5\u05db\u05d7\u05d9\u05ea \u05de\u05e8\u05d0\u05d4 \u05e2\u05d3 \u05db\u05de\u05d4 \u05d4\u05d9\u05d9\u05ea\u05d4 \u05e0\u05d8\u05d5\u05e2\u05d4 \u05d1\u05dc\u05d1 \u05de\u05de\u05e1\u05d3 \u05d4\u05de\u05d5\u05e1\u05d3\u05d5\u05ea \u05d4\u05de\u05d9\u05d9\u05e9\u05d1\u05d9\u05dd \u05db\u05de\u05d5 \u05e7\u05e8\u05df \u05d4\u05d9\u05e1\u05d5\u05d3 \u05d5\u05d4\u05e7\u05e7”\u05dc, \u00a0\u05d0\u05da \u05de\u05d0\u05d9\u05d3\u05da \u05d4\u05d9\u05d0 \u05dc\u05d0 \u05d4\u05d9\u05d9\u05ea\u05d4 \u05d7\u05dc\u05e7 \u05de\u05d7\u05d1\u05d5\u05e8\u05ea \u05d1\u05e6\u05dc\u05d0\u05dc \u05d5\u05d0\u05d7\u05e8\u05d9 \u05e4\u05e2\u05de\u05d9\u05d9\u05dd \u05e9\u05d0\u05e6\u05e8\u05d4, \u05d9\u05d7\u05d3 \u05e2\u05dd \u05d9\u05d5\u05e1\u05e3 \u05d6\u05e8\u05d9\u05e6\u05e7\u05d9 \u05ea\u05e2\u05e8\u05d5\u05db\u05d5\u05ea \u05d0\u05de\u05e0\u05d5\u05ea \u05e2\u05db\u05e9\u05d5\u05d5\u05d9\u05ea \u05d1\u05de\u05d2\u05d3\u05dc \u05d3\u05d5\u05d3 \u05d4\u05d9\u05d0 \u05e0\u05d3\u05d7\u05e7\u05d4 \u05dc\u05e9\u05d5\u05dc\u05d9 \u05e2\u05d5\u05dc\u05dd \u05d4\u05d0\u05de\u05e0\u05d5\u05ea. \u05d1\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05d2\u05dd \u05de\u05d1\u05d7\u05e8 \u05e7\u05d8\u05df \u05de\u05d4\u05d1\u05d5\u05d1\u05d5\u05ea \u05e9\u05d9\u05e9\u05de\u05e9\u05d5 \u05d0\u05d5\u05ea\u05d4 \u05d1\u05ea\u05d0\u05d8\u05e8\u05d5\u05df \u05d1\u05d5\u05d1\u05d5\u05ea \u05e9\u05d4\u05e7\u05d9\u05de\u05d4 \u05d1\u05e9\u05e0\u05d5\u05ea \u05d4 \u05e9\u05dc\u05d5\u05e9\u05d9\u05dd (\u05d5\u05d0\u05dc\u05d9\u05d5 \u05d0\u05e0\u05d9 \u05db\u05d5\u05ea\u05d1\u05ea \u05de\u05d7\u05e7\u05e8 \u05d1\u05d9\u05de\u05d9\u05dd \u05d0\u05dc\u05d5).\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Grete Wolf -krakauer , Portrait of an Arab lady , (probably from the Nashashibi clan) , 1930<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Grete Wolf Krakauer, Portrait of Trude, 1929, oil on canvas, 50x43.5<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u05e7\u05d1\u05d5\u05e6\u05ea \u05d4\u05d0\u05de\u05e0\u05d9\u05dd \u05de\u05d4\u05d0\u05e8\u05e6\u05d5\u05ea \u05d4\u05d3\u05d5\u05d1\u05e8\u05d5\u05ea \u05d2\u05e8\u05de\u05e0\u05d9\u05ea \u05e9\u05d4\u05d2\u05d9\u05e2\u05d5 \u05d1\u05e2\u05e7\u05d1\u05d5\u05ea \u05e2\u05dc\u05d9\u05d9\u05ea \u05d4\u05e0\u05d0\u05e6\u05d9\u05d6\u05dd, \u05e2\u05e9\u05d5\u05e8 \u05d0\u05d7\u05e8 \u05db\u05da, \u05d4\u05e4\u05db\u05d5, \u05d9\u05d7\u05d3 \u05e2\u05dd “\u05d5\u05ea\u05d9\u05e7\u05d9\u05dd” \u05db\u05de\u05d5 \u05d0\u05e0\u05d4 \u05d8\u05d9\u05db\u05d5 \u05d5\u05d1\u05e0\u05d9 \u05d4\u05d6\u05d5\u05d2 \u05e7\u05e8\u05e7\u05d5\u05d0\u05e8 \u05dc\u05e7\u05d4\u05d9\u05dc\u05d4 \u05ea\u05e8\u05d1\u05d5\u05ea\u05d9\u05ea \u05de\u05e8\u05ea\u05e7\u05ea \u05d1\u05e4\u05e0\u05d9 \u05e2\u05e6\u05de\u05d4. \u05d4\u05e2\u05d1\u05d5\u05d3\u05d5\u05ea \u05e9\u05dc \u05d0\u05dc\u05d6\u05d4 \u05dc\u05e1\u05e7\u05e8 \u05e9\u05d9\u05dc\u05e8, \u05d4\u05d6\u05e8\u05e7\u05d5\u05e8 \u05e2\u05dc \u05de\u05e8\u05d3\u05db\u05d9 \u05d0\u05e8\u05d3\u05d5\u05df \u05d4\u05df \u05e8\u05e7 \u05d7\u05dc\u05e7 \u05de\u05d4\u05d4\u05ea\u05d9\u05d9\u05d7\u05e1\u05d5\u05d9\u05d5\u05ea \u05dc\u05e7\u05d1\u05d5\u05e6\u05d4 \u05d6\u05d5.<\/p>

\u05e2\u05d9\u05e6\u05d5\u05d1 \u05db\u05ea\u05d1 \u05e2\u05d1\u05e8\u05d9 \u05e9\u05dc \u05d0\u05de\u05df \u05d1\u05e6\u05dc\u05d0\u05dc\u05d9 \u05de\u05d5\u05d1\u05d4\u05e7 \u05db\u05de\u05d5 \u05d6\u05d0\u05d1 \u05e8\u05d1\u05df, \u05dc\u05e6\u05d3 \u05e2\u05d9\u05e6\u05d5\u05d1 \u05db\u05ea\u05d1 \u05d5\u05d2\u05e8\u05e4\u05d9\u05e7\u05d4 \u05de\u05d1\u05e6\u05dc\u05d0\u05dc \u05d4\u05d7\u05d3\u05e9 \u05d7\u05d5\u05ea\u05de\u05d9\u05dd \u05d0\u05ea \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4.<\/p>

\u05d6\u05d5 \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05d4\u05e8\u05d0\u05e9\u05d5\u05e0\u05d4 \u05d1\u05d7\u05dc\u05dc \u05d4\u05d7\u05d3\u05e9 \u05dc\u05ea\u05e2\u05e8\u05d5\u05db\u05d5\u05ea \u05de\u05ea\u05d7\u05dc\u05e4\u05d5\u05ea \u05d1\u05de\u05d5\u05d6\u05d0\u05d5\u05df \u05d5\u05d4\u05d9\u05d0 \u05de\u05d4\u05d5\u05d5\u05d4 \u05de\u05d0\u05d9\u05df \u05e8\u05e9\u05d9\u05de\u05d4 \u05e8\u05e2\u05d9\u05d5\u05e0\u05d9\u05ea \u05d0\u05e4\u05e9\u05e8\u05d9\u05ea \u05dc\u05e9\u05d5\u05e8\u05ea \u05ea\u05e2\u05e8\u05d5\u05db\u05d5\u05ea \u05de\u05ea\u05d1\u05e7\u05e9\u05ea \u05e9\u05d9\u05ea\u05e2\u05de\u05e7\u05d5 \u05d1\u05e0\u05d5\u05e9\u05d0\u05d9\u05dd \u05d5\u05d3\u05de\u05d5\u05d9\u05d5\u05ea \u05d4\u05de\u05d5\u05d6\u05db\u05e8\u05d5\u05ea \u05d1”\u05e8\u05d5\u05d7 \u05d0\u05d1\u05df” \u05d1\u05de\u05d9\u05d5\u05d7\u05d3 \u05d1\u05de\u05e7\u05d5\u05dd \u05e9\u05de\u05d4\u05d5\u05d5\u05d4 \u05d1\u05de\u05d4 \u05dc\u05d0\u05de\u05e0\u05d5\u05ea \u05e2\u05db\u05e9\u05d5\u05d5\u05d9\u05ea \u05de\u05e2\u05dc \u05de\u05d0\u05d4 \u05e9\u05e0\u05d9\u05dd .<\/p>

\u05d0\u05d5\u05e6\u05e8\u05ea: \u05d8\u05dc \u05e7\u05d5\u05d1\u05d5
\u05de\u05d2\u05d3\u05dc \u05d3\u05d5\u05d3, \u05de\u05d5\u05d6\u05d9\u05d0\u05d5\u05df \u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd
<\/strong>\u05d9\u05d5\u05dd \u05d0’ \u05d1\u05d9\u05df 12:00 \u05dc-20:00
\u05d9\u05de\u05d9\u05dd \u05d1’-\u05d4’ + \u05e9\u05d1\u05ea \u05d1\u05d9\u05df 9:00 \u05dc-17:00
\u05d9\u05d5\u05dd \u05d5’ \u05d1\u05d9\u05df 9:00 \u05dc-15:00<\/strong><\/h6>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The \u201cSpirit Stone\u201d exhibit in the new gallery at the Tower of David<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/a>The charm of the exhibition \u201cSpirit Stone\u201d lies in its broad observation of trends over a seemingly well-known historical period which remains surprising, and which like all history, is undergoing a re-reading according to each reader\u2019s origin and hierarchy of values.<\/p>

Tal Kobo has curated an exhibition presenting Hebrew art in Jerusalem through the 1950s, stating that the beginning of Israeli art lies with the founding of the Bezalel School of Arts and Crafts by Boris Shatz in 1906. This hypothesis was challenged during the past two decades proposing that the title of the first art school in Jerusalem rests with the Alliance Isra\u00e9lite Universelle\u2019s school founded in 1882. Along with general education courses, the students studied applied arts such as carpentry, turning and machining, stonecarving, and more \u2013 a curriculum very similar to the art departments that opened in Bezalel 25 years later.<\/p>

The exhibition does not refer to the period before the founding of Bezalel but broadly delineates the school and the community of artists that developed in the city, which to a great extent flourished around the school. The major historical divisions in principle are from the Ottoman Era, to the end of the World War II, the British Mandatory period, and the very few years of early statehood included in the timeline defined by \u201cSpirit Stone.\u201d<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The \u201cSpirit Stone\u201d exhibit in the new gallery at the Tower of David<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/a>Hebrew art during the Ottoman Era seems almost like a utopia. Although there were European artists active in the 19th<\/sup> century and early 20th<\/sup> in centers of the Ottoman Empire \u2013 especially in Istanbul \u2013Jerusalem certainly was no center. The growth of the artist community in Jerusalem is almost utopian, and is interesting to think about it in the context of other artist colonies throughout Europe, from France\u2019s Port Aven, through Skagen, Denmark, through Zakopane, Poland. These art colonies usually advocated \u201creturn\u201d to national cultural roots and to nature. The differences do exist between the movements of return and national formation, but the similarities definitely require a closer look.<\/p>

Archival film clips on view document life and leading personalities in Jerusalem; the visit of an American philanthropist couple to Bezalel in 1911 is especially charming. Shatz and Abel Pann are visible in the Orientalist-colonial outfits they adopted: a white jalabiyah and pith helmet such as worn by explorers and colonial administrators mainly in Africa. They were filmed while instructing the weaving and silversmithing workshops in which the workers were mostly Jews from Middle Eastern countries, especially Yemen. With their artistic talents, these workers created obviously Orientalist samples thought of as nationalist Jewish art. The workers\u2019 young age stands out in the majority of these works; in another section, they look amused at the school party with an acrobatic exhibition and many students in berets, and many girls (were they workers, too?).<\/p>

Kobo is exhibiting a selection of the carpets and metalwork along with the documentation, charged with additional meanings beyond being the clear symbols of the new Hebrew character of the period. It is also interesting to see a reflection of student life in Nehemia Bardarshi\u2019s drawings \u2013 an artist with whom I was not familiar who was in the same class as Nahum Gutman, Reuven Rubin, Thelma Yellin, and Siona Tagger.<\/p>

Art from the Mandate period comprises the immigrants who arrived in the 1920s from Central Europe including Grete Wolf and Leopold Krakauer. Wolf Krakauer who arrived in late 1924 motivated by Zionist and socialist reasons was the subject of my doctoral dissertation. In 2018 I curated the extensive exhibition \u201cGrete Wolf Krakauer: From Vienna to Jerusalem,\u201d at the Mishkan Museum of Israeli Art, Ein Harod (see the Projects section, www.smadarsheffi.com)<\/p>

The selection of portraits in the present exhibition demonstrates just how deeply rooted Grete Wolf Krakauer was at the heart of the establishment among the institutions settling the country, such as the Joint Distribution Committee and the Jewish National Fund. On the other hand, she was not part of the Bezalel clique, and after twice curating exhibitions of contemporary art at the Tower of David (along with Joseph Zaritsky) she was pushed to the margins of the art world. There is also a selection of the puppets that she used in the puppet theatre she established in the 1930s (on which I am currently writing a research paper).\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The group of artists from German-speaking countries who arrived in Mandatory Palestine following the rise of Nazism, one decade later, together with the \u201cold-timers\u201d such as Anna Ticho and the Krakauers, became a fascinating cultural community, fascinating in and of itself. The works by Elsa Lasker Schuler, the spotlight on Mordechai Ardon are only some of the references to this group.<\/p>

Letter design of Hebrew letters by an artist identified clearly with Bezalel such as Zeev Raban along with type design and graphics from the New Bezalel form the final items in the exhibition.<\/p>

This is the first exhibition in the new gallery for temporary exhibits in the Museum, creating options for a list of possible ideas for a series of exhibitions on subjects and personalities mentioned in \u201cSpirit Stone\u201d – especially in a place that has been the platform for contemporary art exhibitions for more than 100 years.<\/p>

Curator: Tal Kobo<\/strong><\/p>

Tower of David, Museum of the History of Jerusalem<\/strong><\/p>

Open Sun. 12 noon-8 p.m.<\/strong><\/p>

Mon. \u2013 Thurs., Sat. 9 a.m.-5 p.m.<\/strong><\/p>

Fri. 9 a.m.-3 p.m.<\/strong><\/p>

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