{"id":21876,"date":"2024-10-18T16:52:34","date_gmt":"2024-10-18T14:52:34","guid":{"rendered":"https:\/\/www.smadarsheffi.com\/?p=21876"},"modified":"2024-10-20T15:36:48","modified_gmt":"2024-10-20T13:36:48","slug":"%d7%9e%d7%94-%d7%a9%d7%94%d7%99%d7%94-%d7%95%d7%9e%d7%94-%d7%99%d7%94%d7%99%d7%94-%d7%a6%d7%99%d7%91%d7%99-%d7%92%d7%91%d7%a2-what-has-been-and-what-will-become-tsibi-geva","status":"publish","type":"post","link":"https:\/\/www.smadarsheffi.com\/?p=21876","title":{"rendered":"\u05de\u05d4 \u05e9\u05d4\u05d9\u05d4 \u05d5\u05de\u05d4 \u05d9\u05d4\u05d9\u05d4 | \u05e6\u05d9\u05d1\u05d9 \u05d2\u05d1\u05e2 | What Has Been and What Will Become | Tsibi Geva"},"content":{"rendered":"\t\t
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For English click here<\/strong><\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Click Here<\/div><\/div><\/a><\/div>
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\u05d3\u05d5\u05de\u05d4 \u05e9\u05d4\u05d4\u05e6\u05e2\u05d4 \u05d4\u05d5\u05d2\u05e9\u05d4 \u05d1\u05d9\u05d3\u05d9\u05e2\u05d4 \u05e9\u05dc\u05d0 \u05ea\u05ea\u05e7\u05d1\u05dc, \u05d1\u05d5\u05d5\u05d3\u05d0\u05d9 \u05dc\u05d0 \u05d1\u05ea\u05e7\u05d5\u05e4\u05d4 \u05d4\u05e1\u05d5\u05e2\u05e8\u05ea \u05e9\u05dc \u05d9\u05de\u05d9 \u05d4\u05d0\u05d9\u05e0\u05ea\u05d9\u05e4\u05d0\u05d3\u05d4 \u05d4\u05e9\u05e0\u05d9\u05d9\u05d4 \u05d1\u05d4\u05dd \u05e4\u05d9\u05d2\u05d5\u05e2\u05d9 \u05d4\u05ea\u05d0\u05d1\u05d3\u05d5\u05ea \u05e8\u05d3\u05e4\u05d5 \u05d6\u05d4 \u05d0\u05ea \u05d6\u05d4. \u00a0\u05e7\u05d5\u05e0\u05e6\u05e4\u05d8\u05d5\u05d0\u05dc\u05d9\u05ea \u05d2\u05d1\u05e2 \u05d4\u05de\u05e9\u05d9\u05da \u05d1\u05e8\u05e2\u05d9\u05d5\u05df \u05d4\u05e4\u05d9\u05e6\u05d5\u05e5 \u05de\u05e1\u05d5\u05e8\u05ea \u05de\u05d5\u05d3\u05e8\u05e0\u05d9\u05ea \u05e9\u05dc \u05d0\u05de\u05e0\u05d9\u05dd \u05e9\u05de\u05d7\u05d9\u05e7\u05d4 \u05d5\u05d4\u05e8\u05e1 \u05d4\u05d9\u05d5\u05d5 \u05e2\u05d1\u05d5\u05e8\u05dd \u05d9\u05e6\u05d9\u05e8\u05d4. \u05d1\u05d9\u05df \u05d4\u05d3\u05d5\u05d2\u05de\u05d0\u05d5\u05ea \u05d4\u05de\u05d5\u05db\u05e8\u05d5\u05ea \u05d1\u05d9\u05d5\u05ea\u05e8 ” Erased De Kooning Drawing” \u05e9\u05dc \u05e8\u05d5\u05d1\u05e8\u05d8 \u05e8\u05d0\u05e9\u05e0\u05d1\u05e8\u05d2 \u05de 1953 \u2013 \u05e2\u05d1\u05d5\u05d3\u05d4 \u05e9\u05d1\u05d4 \u05de\u05d7\u05e7 \u05e4\u05d9\u05d6\u05d9\u05ea \u05e8\u05d9\u05e9\u05d5\u05dd \u05e9\u05dc \u05d3\u05d4 \u05e7\u05d5\u05e0\u05d9\u05d2 \u05d5\u05d4\u05e2\u05d1\u05d5\u05d3\u05d4 Dropping of a Han vase \u05e9\u05dc \u05d0\u05d9 \u05d5\u05d9\u05d9\u05d5\u05d9 \u05de 1995 \u05d1\u05d4 \u05e0\u05d9\u05e4\u05e5 \u05db\u05dc\u05d9 \u05d7\u05e8\u05e1 \u05e1\u05d9\u05e0\u05d9 \u05e8\u05d1 \u05e2\u05e8\u05da \u05db\u05e1\u05e4\u05d9 \u05d5\u05e1\u05d9\u05de\u05d1\u05d5\u05dc\u05d9.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>

\u05de\u05e2\u05e0\u05d9\u05d9\u05df \u05dc\u05d7\u05e9\u05d5\u05d1 \u05e2\u05dc \u05d4\u05d4\u05e6\u05e2\u05d4 \u05e9\u05dc\u05d0 \u05d4\u05ea\u05e7\u05d1\u05dc\u05d4 \u05db\u05e0\u05d2\u05d8\u05d9\u05d1 \u05d4\u05d4\u05e6\u05e2\u05d4 \u05e9\u05dc \u05d2\u05d1\u05e2 \u05e9\u05d4\u05ea\u05e7\u05d1\u05dc\u05d4 \u05d5\u05d4\u05d5\u05e6\u05d2\u05d4 \u05d1 2015 \u05d0\u05d6 \u05e0\u05d1\u05d7\u05e8 \u05db\u05e0\u05e6\u05d9\u05d2 \u05d9\u05e9\u05e8\u05d0\u05dc \u05d1\u05d0\u05d9\u05e8\u05d5\u05e2. \u05d1\u05e2\u05d1\u05d5\u05d3\u05d4 ” \u05d0\u05e8\u05db\u05d0\u05d5\u05dc\u05d5\u05d2\u05d9\u05d4 \u05e9\u05dc \u05d4\u05d4\u05d5\u05d5\u05d4” \u05e6\u05d1\u05d9\u05e8\u05d4, \u05d4\u05db\u05d1\u05e8\u05d4 \u05d5\u05d0\u05d2\u05e8\u05e0\u05d5\u05ea \u05d4\u05d7\u05dc\u05d9\u05e4\u05d4 \u05d0\u05ea \u05d4\u05e8\u05d9\u05e7 \u05e9\u05d4\u05e6\u05d9\u05e2 \u05d1 2003, \u05d5\u05d4\u05d7\u05d5\u05e5 \u05e9\u05dc \u05d1\u05d9\u05ea\u05df \u05d4\u05d5\u05e1\u05ea\u05e8 \u05d5\u05d8\u05d5\u05e9\u05d8\u05e9 \u05ea\u05d7\u05ea \u05e6\u05de\u05d9\u05d2\u05d9\u05dd \u05d1\u05e2\u05d1\u05d5\u05d3\u05d4 \u05d3\u05de\u05d5\u05d9\u05d5\u05ea \u05de\u05e9\u05e8\u05d1\u05d9\u05d9\u05d4 (\u05e9\u05d0\u05e1\u05d5\u05e6\u05d9\u05d0\u05e6\u05d9\u05d9\u05ea \u05d4\u05e9\u05e8\u05e4\u05d4 \u05e9\u05dc\u05d4\u05dd \u05db\u05e4\u05e2\u05d5\u05dc\u05ea \u05de\u05d7\u05d0\u05d4 \u05e8\u05d9\u05d7\u05e4\u05d4 \u05de\u05e2\u05dc\u05d9\u05d5).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u05db\u05d0\u05de\u05d5\u05e8 \u05d4\u05d7\u05dc\u05dc \u05d1\u05d7\u05d3\u05e8 \u05d4\u05e4\u05e8\u05d5\u05d9\u05e7\u05d8\u05d9\u05dd \u05d4\u05d5\u05d0 \u05db\u05ea\u05ea \u05de\u05d5\u05d3\u05e2 \u05e9\u05dc \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05d1\u05d3\u05d9\u05e8\u05ea \u05d4\u05e8\u05d6\u05d3\u05d9\u05e0\u05e1\u05d9 .
\u05d6\u05d5 \u05d1\u05e0\u05d5\u05d9\u05d4 \u05db\u05de\u05e9\u05e4\u05d8 \u05d0\u05e8\u05d5\u05da, \u05dc\u05dc\u05d0 \u05d4\u05e4\u05e1\u05e7\u05d5\u05ea, \u05d6\u05e8\u05dd \u05ea\u05d5\u05d3\u05e2\u05d4 \u05e9\u05dc \u05e2\u05d1\u05d5\u05d3\u05d5\u05ea, \u05d7\u05e4\u05e6\u05d9\u05dd \u05de\u05e6\u05d5\u05d9\u05d9\u05dd, \u05d5\u05e4\u05e8\u05d8\u05d9 \u05d0\u05e1\u05e4\u05e0\u05d5\u05ea. \u05d4\u05d9\u05d0 \u05d8\u05e8\u05d5\u05e4\u05d4 \u05de\u05d1\u05d7\u05d9\u05e0\u05d4 \u05db\u05e8\u05d5\u05e0\u05d5\u05dc\u05d5\u05d2\u05d9\u05ea \u05d5\u05d1\u05db\u05dc \u05d6\u05d0\u05ea \u05d1\u05e2\u05dc\u05ea \u05d4\u05d9\u05d2\u05d9\u05d5\u05df \u05e4\u05e0\u05d9\u05de\u05d9, \u05db\u05e4\u05e7\u05e2\u05ea \u05d6\u05d9\u05db\u05e8\u05d5\u05df \u05e9\u05d4\u05d5\u05ea\u05e8\u05d4. \u05d4\u05e6\u05d5\u05e4\u05d4 \u05d4\u05d5\u05dc\u05da \u05d1\u05de\u05d1\u05d5\u05da \u05d4\u05d6\u05d9\u05db\u05e8\u05d5\u05df, \u05d0\u05de\u05e0\u05dd \u05dc\u05dc\u05d0 \u05d7\u05d5\u05d8 \u05d0\u05e8\u05d9\u05d0\u05d3\u05e0\u05d4 \u05d0\u05da \u05e2\u05dd \u05d4\u05d4\u05d9\u05d2\u05d9\u05d5\u05df \u05d4\u05de\u05d1\u05e0\u05d9 \u05e9\u05de\u05db\u05ea\u05d9\u05d1\u05d4 \u05d4\u05d3\u05d9\u05e8\u05d4 \u2013 \u05d3\u05dc\u05ea\u05d5\u05ea \u05d5\u05d7\u05dc\u05d5\u05e0\u05d5\u05ea, \u05de\u05e1\u05d3\u05e8\u05d5\u05df \u05d5\u05de\u05e8\u05e4\u05e1\u05d5\u05ea, \u05d7\u05dc\u05dc \u05e6\u05d9\u05d1\u05d5\u05e8\u05d9 \u05d5\u05d7\u05dc\u05dc \u05e4\u05e8\u05d8\u05d9.\u00a0 \u00a0 \u00a0 \u00a0 \u05de\u05e1\u05db\u05d9\u05dd \u05e2\u05dc\u05d9\u05d4\u05dd \u05de\u05d5\u05e7\u05e8\u05e0\u05ea \u05e9\u05d9\u05d7\u05d4 \u05e9\u05dc \u05d2\u05d1\u05e2 \u05e2\u05dd \u05d0\u05d5\u05e8\u05d7\u05d9\u05dd \u05d0\u05d5\u05d3\u05d5\u05ea \u05d4\u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05de\u05d5\u05e6\u05d1\u05d9\u05dd \u05d1\u05e9\u05e0\u05d9 \u05d7\u05d3\u05e8\u05d9\u05dd \u05d5\u05d7\u05d1\u05dc. \u05d4\u05e9\u05d9\u05d7\u05d4 \u05d4\u05de\u05d5\u05e1\u05e8\u05d8\u05ea \u05de\u05e4\u05e8\u05d9\u05e2\u05d4 \u05dc\u05de\u05d9\u05e6\u05d1 \u05d0\u05e3 \u05e9\u05d4\u05d9\u05d0 \u05de\u05e2\u05e0\u05d9\u05d9\u05e0\u05ea \u05d1\u05e4\u05e0\u05d9 \u05e2\u05e6\u05de\u05d4.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t
<\/div>
\u05d0\u05de\u05e0\u05d5\u05ea \u05d0\u05d9\u05e8\u05d0\u05e0\u05d9\u05ea \u05e2\u05db\u05e9\u05d5\u05d5\u05d9\u05ea - \u05dc\u05d0 \u05de\u05d4 \u05e9\u05d7\u05e9\u05d1\u05ea . \u05d4\u05e8\u05e6\u05d0\u05d4 \u05e9\u05dc \u05d3\"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9 \u05d1\u05d6\u05d5\u05dd 22\/10\/24<\/div>

<\/h1>
Click Here<\/div><\/div><\/a><\/div>
<\/div>
\u05d4\u05e8\u05e6\u05d0\u05d5\u05ea \u05d1\u05d6\u05d5\u05dd \u05d5\u05e1\u05d9\u05d5\u05e8\u05d9 \u05d0\u05de\u05e0\u05d5\u05ea \u05d0\u05d9\u05db\u05d5\u05ea\u05d9\u05d9\u05dd \u05e2\u05dd \u05d3\"\u05e8 \u05e1\u05de\u05d3\u05e8 \u05e9\u05e4\u05d9 <\/div>

\u05dc\u05d9\u05e0\u05e7 \u05d4\u05e6\u05d8\u05e8\u05e4\u05d5\u05ea \u05dc\u05e7\u05d1\u05d5\u05e6\u05ea \u05d5\u05d5\u05d0\u05d8\u05e1\u05d0\u05e4 \u05d4\u05de\u05e7\u05d1\u05dc\u05ea \u05e2\u05d9\u05d3\u05db\u05d5\u05e0\u05d9\u05dd\n<\/h1>
Click Here<\/div><\/div><\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t\tPrevious slide<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t\tNext slide<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
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\n\t\t\t\t
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What Has Been and What Will Become | Tsibi Geva, exhibition view . <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/a>Tsibi Geva What Has Been and What Will Become<\/strong><\/p>

Tsibi Geva\u2019s What Has Been and What Will Become <\/strong>is an excellent exhibition, one of the best \u2013 perhaps his best. It is direct, sincere, with numerous contexts beyond the usual pairing of Geva and Zionist history, or Geva and the kibbutz ethos, or the label of preachy or elegiac applied to the reading of his work of recent years, especially the past year.
The exhibition is essentially two parts installed in two spaces in the Liebling House \u2013 a wise curatorial choice by Sabrina Cegla, especially for a veteran artist such as Geva who has such an extensive oeuvre.In the ground floor Projects Room, Geva\u2019s proposal for the Venice Biennale of 2003 \u2013 which was not accepted \u2013 is exhibited. It is the subconscious underpinning of the major part of the exhibition installed in the residency apartment on the third floor. The overall motif of both parts of the exhibition are circles of destruction and construction, ruin and renewal.In 2003, Geva proposed razing the Israeli pavilion in Venice with a car loaded with explosives to blow up the building in a symbolic suicide of Israeliness. Unavoidable are the thoughts of the historical terror explosions including blowing up of the King David Hotel in 1946 by Etzel, or the first Sidon disaster in which the IDF command HQ in Lebanon was blown up in 1982. Geva proposed to take advantage of the planned renovation of the pavilion to destroy the building in toto, and speak of its rebuilding, referring to mythical contexts such as the Great Flood, among others.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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It seems that Geva knew it wouldn\u2019t be accepted while submitting the proposal, especially not during the Second Intifada with its string of suicide bombings. He continued with the conceptual idea of blowing up traditional Modernism, similar to Rauschenberg\u2019s Erased De Kooning Drawing <\/em>(1953), <\/em>in which destruction was the creative act. Another well-known example is Ai Weiwei\u2019s Dropping a Han Dynasty Urn <\/em>(1995), destroying an urn of great symbolic and monetary value. \u00a0<\/p>

It is interesting to think about Geva\u2019s 2003 proposal as the negative of his proposal submitted for the 2015 Biennale which was exhibited and which represented Israel. In \u201cArchaeology of the Present\u201d accumulation, magnification, and hoarding replaced the void he proposed in 2003, while the pavilion\u2019s exterior was hidden and blurred under tires in a work that simulated a Middle Eastern mashrabiya<\/em> partition, the tires with their associations of tires burned in Palestinian protests.<\/p>

If we consider the Project Room as the subconscious of the exhibition, it may be said to be structured as a long sentence without breaks, a kind of stream of consciousness of artworks, found objects, and collector\u2019s items. It is mixed up chronologically yet bears an inner logic, like an unraveled skein of memories, The visitor walks through the labyrinth of memory, without any Ariadne thread but with the structural logic dictated by the Residency Apartment \u2013 doors and windows, a hall and balconies, public and private spaces, screens with a projection of Geva talking with guests about the exhibition in both rooms. This is a pity since the projection disturbs the installation, despite being interesting on its own.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The dialogue between the International Style apartment and Geva\u2019s works transforms the exhibition into one large installation. The apartment is in the apartment house built by Tony and Max Liebling who arrived in Tel Aviv in 1933 with the Nazis\u2019 rise to power in Germany. Most of the apartments were rented out to families of doctors who had immigrated from Eastern Europe. Liebling Haus became the home of refugees who found themselves disinherited from the culture they felt was theirs. Nevertheless, they maintained their respectful expressions with the rhetoric of building a modernist Utopia, even though they were refugees. (The building was designed by Dov Karmi).<\/p>

Geva\u2019s artworks, with their specific balance of delicacy and crudeness, touch upon places and aesthetics created by the building\u2019s unique conservation process and which turned it into the White City Center for research. The preservation was not designed to restore a new look. On the contrary, it still shows the \u201ctrial and error\u201d patches of paint samples on the walls and layers of paint, and original building details were renovated and not replaced by identical new ones. The passage of time is visible.<\/p>

Geva installed a legless simple bed on the floor of the type that the Jewish Agency gives to new immigrants, as a sculpture. He placed a drawing on a single floor tile over the air conditioner, metal bars that became a storage area along with drawings of keffiyot<\/em> and terrazzo floor tiles identified with Geva\u2019s art language, based on civics lessons of the 1950s. Images such as those that\u00a0 reappeared in his various works with maps of Israel showing the pre-1967 borders are on triangles similar to backgammon boards, with construction materials such as layers of metal on which remnants of concrete are placed.<\/p>


Geva placed objects such as a package of lemon-flavored waffle cookies with a picture of the Dome of the Rock on it and an inscription in Arabic in the kitchen, or a black pipe looking like a Richard Serra sculpture cutting through the space and removing all possibilities of functionality. Geva proposes a sort of Arte Povera, looking closer to this European movement or to the American Pop Art of Rauschenberg, showing why he was named as being part of the Israeli \u201cwant of matter\u201d art which seems to be a pale version of the aforementioned movements.<\/p>

The exhibition came together as a cumulative work over several weeks, with the impact of viewers also entering into it \u2013 item after item, a painting smeared with paint (reminiscent of works by Israeli artists such as Gitlin or Neustein in the 1970s or \u201880s), a shoemaker\u2019s sign (reminiscent of the Dada\/Surrealist works by Arieh Aroch), or a framed cardboard with holes.<\/p>

Charged works such as a triangle inscribed with the words \u201cThe Story of Israeli Art\u201d and a photograph of Geva\u2019s father, Architect Jacob Gever, observing work on the dome of a mosque he designed, and a student work by Geva engaging in the \u201cMasada complex\u201d constitute anchors of the work \u2013 works that stop the wandering gaze.<\/p>

The encounter between the hopes and ambitions embodied in the walls with their scraped paint layers and Geva\u2019s \u201cwounded\u201d\/exposed artworks transform Geva\u2019s \u201cWhat Has Been and What Will Become\u201d into a journey into memory, yearning, and perhaps, sorrow shared by artist and visitor.<\/p>

Curator: Sabrina Cegla<\/strong><\/p>

Liebling Haus \u2013 White City Center, Idelson 29, Tel Aviv-Yafo<\/strong><\/p>

Sun.-Thurs.8:00-19:00. Fri. 8:00-14:00, Sat. 9:00-14:00<\/strong>
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For English click here “\u05de\u05d4 \u05e9\u05d4\u05d9\u05d4 \u05d5\u05de\u05d4 \u05d9\u05d4\u05d9\u05d4” \u05d4\u05d9\u05d0 \u05ea\u05e2\u05e8\u05d5\u05db\u05d4 \u05de\u05e6\u05d5\u05d9\u05e0\u05ea, \u05d0\u05d7\u05ea \u05d4\u05d8\u05d5\u05d1\u05d5\u05ea, \u05d5\u05d0\u05d5\u05dc\u05d9 \u05d4\u05d8\u05d5\u05d1\u05d4 \u05d1\u05d9\u05d5\u05ea\u05e8 \u05e9\u05dc \u05d2\u05d1\u05e2 \u05d4\u05d6\u05db\u05d5\u05e8\u05d4 \u05dc\u05d9. \u05d4\u05d9\u05d0 \u05d9\u05e9\u05d9\u05e8\u05d4, \u05db\u05e0\u05d4, \u05d5\u05d4\u05e7\u05e9\u05e8\u05d9\u05d4 \u05d4\u05dd \u05d4\u05e8\u05d1\u05d4 \u05de\u05e2\u05d1\u05e8 \u05dc\u05e6\u05d9\u05de\u05d5\u05d3 \u05d4\u05e7\u05d1\u05d5\u05e2 \u05e9\u05dc \u05d2\u05d1\u05e2 \u05d5\u05ea\u05d5\u05dc\u05d3\u05d5\u05ea \u05d4\u05e6\u05d9\u05d5\u05e0\u05d5\u05ea, \u05d2\u05d1\u05e2 \u05d5\u05d4\u05d0\u05ea\u05d5\u05e1 \u05d4\u05e7\u05d9\u05d1\u05d5\u05e6\u05d9 \u05d0\u05d5 \u05ea\u05d7\u05d5\u05e9\u05ea \u05d4\u05d8\u05e4\u05d4 \u05d5\u05de\u05d9\u05d3\u05d4 \u05e9\u05dc \u05d0\u05dc\u05d2\u05d9\u05d4 \u05e9\u05d3\u05d1\u05e7\u05d4 \u05d1\u05e2\u05d1\u05d5\u05d3\u05ea\u05d5, \u05d5\u05e7\u05e8\u05d9\u05d0\u05ea \u05e2\u05d1\u05d5\u05d3\u05ea\u05d5, \u05d1\u05e9\u05e0\u05d9\u05dd \u05d4\u05d0\u05d7\u05e8\u05d5\u05e0\u05d5\u05ea \u05d5\u05d1\u05d5\u05d5\u05d3\u05d0\u05d9 \u05d1\u05d6\u05d5 \u05d4\u05d7\u05d5\u05dc\u05e4\u05ea. \u05de\u05d3\u05d5\u05d1\u05e8 \u05dc\u05de\u05e2\u05e9\u05d4 \u05d1\u05e9\u05e0\u05d9 \u05d7\u05dc\u05e7\u05d9\u05dd […]<\/p>\n","protected":false},"author":1,"featured_media":21877,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112],"tags":[],"acf":[],"yoast_head":"\n\u05de\u05d4 \u05e9\u05d4\u05d9\u05d4 \u05d5\u05de\u05d4 \u05d9\u05d4\u05d9\u05d4 | \u05e6\u05d9\u05d1\u05d9 \u05d2\u05d1\u05e2 | What Has Been and What Will Become | Tsibi Geva - 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